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INTRODUCTION

THE FASCINATION OF THE GHOST
STORY

Arthur B. Reeve



What is the fascination we feel for the mystery of the ghost story?

Is it of the same nature as the fascination which we feel for the mystery of the detective story?

Of the latter fascination, the late Paul Armstrong used to say that it was because we are all as full of crime as Sing Sing—only we don't dare.

Thus, may I ask, are we not fascinated by the ghost story because, no matter what may be the scientific or skeptical bent of our minds, in our inmost souls, secretly perhaps, we are as full of superstition as an obeah man—only we don't let it loose?

Who shall say that he is able to fling off lightly the inheritance of countless ages of superstition? Is there not a streak of superstition in us all? We laugh at the voodoo worshiper—then create our own hoodooes, our pet obsessions.

It has been said that man is incurably religious, that if all religions were blotted out, man would create a new religion.

Man is incurably fascinated by the mysterious. If all the ghost stories of the ages were blotted out, man would invent new ones.

For, do we not all stand in awe of that which we cannot explain, of that which, if it be not in our own experience, is certainly recorded in the experience of others, of that of which we know and can know nothing?[Pg viii]

Skeptical though one may be of the occult, he must needs be interested in things that others believe to be objective—that certainly are subjectively very real to them.

The ghost story is not born of science, nor even of super-science, whatever that may be. It is not of science at all. It is of another sphere, despite all that the psychic researchers have tried to demonstrate.

There are in life two sorts of people who, for want of a better classification, I may call the psychic and the non-psychic. If I ask the psychic to close his eyes and I say to him, "Horse," he immediately visualizes a horse. The other, non-psychic, does not. I rather incline to believe that it is the former class who see ghosts, or rather some of them. The latter do not—though they share interest in them.

The artists are of the visualizing class and, in our more modern times, it is the psychic who think in motion pictures, or at least in a succession of still pictures.

However we explain the ghostly and supernatural, whether we give it objective or merely subjective reality, neither explanation prevents the non-psychic from being intensely interested in the visions of the psychic.

Thus I am convinced that if we were all quite honest with ourselves, whether we believe in or do not believe in ghosts, at least we are all deeply interested in them. There is in this interest something that makes all the world akin.

Who does not feel a suppressed start at the creaking of furniture in the dark of night? Who has not felt a shiver of goose flesh, controlled only by an effort of will? Who, in the dark, has not had the feeling of some thing behind him—and, in spite of his conscious reasoning, turned to look?

If there be any who has not, it may be that to him ghost stories have no fascination. Let him at least, however, be honest.

To every human being mystery appeals, be it that of the crime cases on which a large part of yellow journalism is founded, or be it in the cases of Dupin, of Le Coq, of Sherlock Holmes, of Arsene Lupin, of Craig Kennedy, or [Pg ix]a host of others of our fiction mystery characters. The appeal is in the mystery.

The detective's case is solved at the end, however. But even at the end of a ghost story, the underlying mystery remains. In the ghost story, we have the very quintessence of mystery.

Authors, publishers, editors, dramatists, writers of motion pictures tell us that never before has there been such an intense and wide interest in mystery stories as there is to-day. That in itself explains the interest in the super-mystery story of the ghost and ghostly doings.

Another element of mystery lies in such stories. Deeper and further back, is the supreme mystery of life—after death—what?

"Impossible," scorns the non-psychic as he listens to some ghost story.

To which, doggedly replies the mind of the opposite type, "Not so. I believe because it is impossible."

The uncanny, the unhealthy—as in the master of such writing, Poe—fascinates. Whether we will or no, the imp of the perverse lures us on.

That is why we read with enthralled interest these excursions into the eerie unknown, perhaps reading on till the mystic hour of midnight increases the creepy pleasure.

One might write a volume of analysis and appreciation of this aptly balanced anthology of ghost stories assembled here after years of reading and study by Mr. J.L. French.

Foremost among the impressions that a casual reader will derive is the interesting fact, just as in detective mystery stories, so in ghost stories, styles change. Each age, each period has the ghost story peculiar to itself. To-day, there is a new style of ghost story gradually evolving.

Once stories were of fairies, fays, trolls, the "little people," of poltergiest and loup garou. Through various ages we have progressed to the ghost story of the eighteenth and nineteenth centuries until to-day, in the twentieth, we are seeing a modern style, which the new science is modifying materially.

High among the stories in this volume, one must recog[Pg x]nize the masterful art of Algernon Blackwood's "The Woman's Ghost Story."

"I was interested in psychic things," says the woman as she starts to tell her story simply, with a sweep toward the climax that has the ring of the truth of fiction. Here perhaps we have the modern style of ghost story at its best.

Times change as well as styles. "The Man Who Went Too Far" is of intense interest as an attempt to bring into our own times an interpretation of the symbolism underlying Greek mythology, applied to England of some years ago.

To see Pan meant death. Hence in this story there is a philosophy of Pan-theism—no "me," no "you," no "it." It is a mystical story, with a storm scene in which is painted a picture that reminds one strongly of "The Fall of the House of Ushur,"—with the frankly added words, "On him were marks of hoofs of a monstrous goat that had leaped on him,"—uncompromising mysticism.

Happy is the Kipling selection, "The Phantom 'Rickshaw," if only for that obiter dictum of ghost-presence as Kipling explains about the rift in the brain: "—and a little bit of the Dark World came through and pressed him to death!"

Then there are the racial styles in ghost stories. The volume takes us from the "Banshees and Other Death Warnings" of Ireland to a strange example of Jewish mysticism in "The Silent Woman." Mr. French has been very wide in his choice, giving us these as well as many examples from the literature of England and France. Finally, he has compiled from the newspapers, as typically American, many ghost stories of New York and other parts of the country.

Strange that one should find humor in a subject so weird. Yet we find it. Take, for instance, De Foe's old narrative, "The Apparition of Mrs. Veal." It is a hoax, nothing more. Of our own times is Ellis Parker Butler's "Dey Ain't No Ghosts," showing an example of the modern Negro's racial heritage.

In our literature and on the stage, the very idea of a[Pg xi] Darky and a graveyard is mirth-provoking. Mr. Butler extracts some pithy philosophy from his Darky boy: "I ain't skeered ob ghosts whut am, c'ase dey ain't no ghosts, but I jes' feel kinder oneasy 'bout de ghosts whut ain't!"

Humor is succeeded by pathos. In "The Interval" we find a sympathetic twist to the ghost story—an actual desire to meet the dead.

It is not, however, to be compared for interest to the story of sheer terror, as in Bulwer-Lytton's "The Haunted and the Haunters," with the flight of the servant in terror, the cowering of the dog against the wall, the death of the dog, its neck actually broken by the terror, and all that go to make an experience in a haunted house what it should be.

Thus, at last, we come to two of the stories that attempt to give a scientific explanation, another phase of the modern style of ghost story.

One of these, perhaps hardly modern as far as mere years are concerned, is this same story of Bulwer, "The Haunted and the Haunters." Besides being a rattling good old-fashioned tale of horror, it attempts a new-fashioned scientific explanation. It is enough to read and re-read it.

It is, however, the lamented Ambrose Bierce who has gone furthest in the science and the philosophy of the matter, and in a very short story, too, splendidly titled "The Damned Thing."

"Incredible!" exclaims the coroner at the inquest.

"That is nothing to you, sir," replies the newspaper man who relates the experience, and in these words expresses the true feeling about ghostly fiction, "that is nothing to you, if I also swear that it is true!"


But furthest of all in his scientific explanation—not scientifically explaining away, but in explaining the way—goes Bierce as he outlines a theory. From the diary of the murdered man he picks out the following which we may treasure as a gem:

"I am not mad. There are colors that we cannot see. And—God help me!—the Damned Thing is of such a color!"


This fascination of the ghost story—have I made it clear?[Pg xii]

As I write, nearing midnight, the bookcase behind me cracks. I start and turn. Nothing. There is a creak of a board in the hallway.

I know it is the cool night wind—the uneven contraction of materials expanded in the heat of the day.

Yet—do I go into the darkness outside otherwise than alert?

It is this evolution of our sense of ghost terror—ages of it—that fascinates us.

Can we, with a few generations of modernism behind us, throw it off with all our science? And, if we did, should we not then succeed only in abolishing the old-fashioned ghost story and creating a new, scientific ghost story?

Scientific? Yes. But more,—something that has existed since the beginnings of intelligence in the human race.

Perhaps, you critic, you say that the true ghost story originated in the age of shadowy candle light and pine knot with their grotesqueries on the walls and in the unpenetrated darkness, that the electric bulb and the radiator have dispelled that very thing on which, for ages, the ghost story has been built.

What? No ghost stories? Would you take away our supernatural fiction by your paltry scientific explanation?

Still will we gather about the story teller—then lie awake o' nights, seeing mocking figures, arms akimbo, defying all your science to crush the ghost story.[Pg 1]



BEST GHOST STORIES

THE APPARITION OF MRS. VEAL

By Daniel De Foe

THE PREFACE


This relation is matter of fact, and attended with such circumstances, as may induce any reasonable man to believe it. It was sent by a gentleman, a justice of peace, at Maidstone, in Kent, and a very intelligent person, to his friend in London, as it is here worded; which discourse is attested by a very sober and understanding gentlewoman, a kinswoman of the said gentleman's, who lives in Canterbury, within a few doors of the house in which the within-named Mrs. Bargrave lives; who believes his kinswoman to be of so discerning a spirit, as not to be put upon by any fallacy; and who positively assured him that the whole matter, as it is related and laid down, is really true; and what she herself had in the same words, as near as may be, from Mrs. Bargrave's own mouth, who, she knows, had no reason to invent and publish such a story, or any design to forge and tell a lie, being a woman of much honesty and virtue, and her whole life a course, as it were, of piety. The use which we ought to make of it, is to consider, that there is a life to come after this, and a just God, who will retribute to every one according to the deeds done in the body; and therefore to reflect upon our past course of life we have led in the world; that our time is short and uncertain; and that if we would escape the punishment of the ungodly, and receive the reward of the righteous, which is the laying hold of eternal life, we ought, for the time to come, to return to God by a speedy repentance, ceasing to do evil, and learning to do well: to seek after God early, if happily He may be found of us, and lead such lives for the future, as may be well pleasing in His sight.[Pg 4]

A RELATION OF THE APPARITION OF MRS. VEAL


This thing is so rare in all its circumstances, and on so good authority, that my reading and conversation has not given me anything like it: it is fit to gratify the most ingenious and serious inquirer. Mrs. Bargrave is the person to whom Mrs. Veal appeared after her death; she is my intimate friend, and I can avouch for her reputation, for these last fifteen or sixteen years, on my own knowledge; and I can confirm the good character she had from her youth, to the time of my acquaintance. Though, since this relation, she is calumniated by some people, that are friends to the brother of this Mrs. Veal, who appeared; who think the relation of this appearance to be a reflection, and endeavor what they can to blast Mrs. Bargrave's reputation, and to laugh the story out of countenance. But by the circumstances thereof, and the cheerful disposition of Mrs. Bargrave, notwithstanding the ill-usage of a very wicked husband, there is not yet the least sign of dejection in her face; nor did I ever hear her let fall a desponding or murmuring expression; nay, not when actually under her husband's barbarity; which I have been witness to, and several other persons of undoubted reputation.

Now you must know, Mrs. Veal was a maiden gentlewoman of about thirty years of age, and for some years last past had been troubled with fits; which were perceived coming on her, by her going off from her discourse very abruptly to some impertinence. She was maintained by an only brother, and kept his house in Dover. She was a very pious woman, and her brother a very sober man to all appearance; but now he does all he can to null or quash the story. Mrs. Veal was intimately acquainted with Mrs. Bargrave from her childhood. Mrs. Veal's circumstances were then mean; her father did not take care of his children as he ought, so that they were exposed to hardships; and Mrs. Bargrave, in those days, had as unkind a father, though she wanted neither for food nor clothing, whilst Mrs. Veal wanted for both; insomuch that she would often say, Mrs. Bargrave, you are not only the best, but the only friend I have in the world, and no circumstances of [Pg 5]life shall ever dissolve my friendship. They would often condole each other's adverse fortunes, and read together Drelincourt upon Death, and other good books; and so, like two Christian friends, they comforted each other under their sorrow.

Some time after, Mr. Veal's friends got him a place in the custom-house at Dover, which occasioned Mrs. Veal, by little and little, to fall off from her intimacy with Mrs. Bargrave, though there was never any such thing as a quarrel; but an indifferency came on by degrees, till at last Mrs. Bargrave had not seen her in two years and a half; though above a twelvemonth of the time Mrs. Bargrave hath been absent from Dover, and this last half year has been in Canterbury about two months of the time, dwelling in a house of her own.

In this house, on the 8th of September, 1705, she was sitting alone in the forenoon, thinking over her unfortunate life, and arguing herself into a due resignation to providence, though her condition seemed hard. And, said she, I have been provided for hitherto, and doubt not but I shall be still; and am well satisfied that my afflictions shall end when it is most fit for me: and then took up her sewing-work, which she had no sooner done, but she hears a knocking at the door. She went to see who was there, and this proved to be Mrs. Veal, her old friend, who was in a riding-habit. At that moment of time the clock struck twelve at noon.

Madam, says Mrs. Bargrave, I am surprised to see you, you have been so long a stranger; but told her, she was glad to see her, and offered to salute her; which Mrs. Veal complied with, till their lips almost touched; and then Mrs. Veal drew her hand across her own eyes, and said, I am not very well; and so waived it. She told Mrs. Bargrave, she was going a journey, and had a great mind to see her first. But, says Mrs. Bargrave, how came you to take a journey alone? I am amazed at it, because I know you have a fond brother. Oh! says Mrs. Veal, I gave my brother the slip, and came away because I had so great a desire to see you before I took my journey. So Mrs. Bargrave went in with her, into another room within the [Pg 6]first, and Mrs. Veal sat her down in an elbow-chair, in which Mrs. Bargrave was sitting when she heard Mrs. Veal knock. Then says Mrs. Veal, My dear friend, I am come to renew our old friendship again, and beg your pardon for my breach of it; and if you can forgive me, you are the best of women. O, says Mrs. Bargrave, do not mention such a thing; I have not had an uneasy thought about it; I can easily forgive it. What did you think of me? said Mrs. Veal. Says Mrs. Bargrave, I thought you were like the rest of the world, and that prosperity had made you forget yourself and me. Then Mrs. Veal reminded Mrs. Bargrave of the many friendly offices she did her in former days, and much of the conversation they had with each other in the times of their adversity; what books they read, and what comfort, in particular, they received from Drelincourt's Book of Death, which was the best, she said, on that subject ever written. She also mentioned Dr. Sherlock, the two Dutch books which were translated, written upon death, and several others. But Drelincourt, she said, had the clearest notions of death, and of the future state, of any who had handled that subject. Then she asked Mrs. Bargrave, whether she had Drelincourt. She said, Yes. Says Mrs. Veal, Fetch it. And so Mrs. Bargrave goes up stairs and brings it down. Says Mrs. Veal, Dear Mrs. Bargrave, if the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard. The notions we have of heaven now, are nothing like what it is, as Drelincourt says; therefore be comforted under your afflictions, and believe that the Almighty has a particular regard to you; and that your afflictions are marks of God's favor; and when they have done the business they are sent for, they shall be removed from you. And believe me, my dear friend, believe what I say to you, one minute of future happiness will infinitely reward you for all your sufferings. For, I can never believe (and claps her hand upon her knee with great earnestness, which indeed ran through most of her discourse), that ever God will suffer you to spend all your days in this afflicted state; but be assured, that your afflictions shall leave you, or you them, in a short time. She spake in that pathetical [Pg 7]and heavenly manner, that Mrs. Bargrave wept several times, she was so deeply affected with it.

Then Mrs. Veal mentioned Dr. Kenrick's Ascetick, at the end of which he gives an account of the lives of the primitive Christians. Their pattern she recommended to our imitation, and said, their conversation was not like this of our age: For now, says she, there is nothing but frothy, vain discourse, which is far different from theirs. Theirs was to edification, and to build one another up in faith; so that they were not as we are, nor are we as they were: but, says she, we ought to do as they did. There was an hearty friendship among them; but where is it now to be found? Says Mrs. Bargrave, It is hard indeed to find a true friend in these days. Says Mrs. Veal, Mr. Norris has a fine copy of verses, called Friendship in Perfection, which I wonderfully admire. Have you seen the book? says Mrs. Veal. No, says Mrs. Bargrave, but I have the verses of my own writing out. Have you? says Mrs. Veal, then fetch them. Which she did from above stairs, and offered them to Mrs. Veal to read, who refused, and waived the thing, saying, holding down her head would make it ache; and then desired Mrs. Bargrave to read them to her, which she did. As they were admiring friendship, Mrs. Veal said, Dear Mrs. Bargrave, I shall love you for ever. In these verses there is twice used the word Elysian. Ah! says Mrs. Veal, these poets have such names for heaven. She would often draw her hands across her own eyes, and say, Mrs. Bargrave, do not you think I am mightily impaired by my fits? No, says Mrs. Bargrave, I think you look as well as ever I knew you. After all this discourse, which the apparition put in much finer words than Mrs. Bargrave said she could pretend to, and as much more than she can remember, (for it cannot be thought, that an hour and three quarters' conversation could all be retained, though the main of it she thinks she does,) she said to Mrs. Bargrave, she would have her write a letter to her brother, and tell him, she would have him give rings to such and such; and that there was a purse of gold in her cabinet, and that she would have two broad pieces given to her cousin Watson.[Pg 8]

Talking at this rate, Mrs. Bargrave thought that a fit was coming upon her, and so placed herself in a chair just before her knees, to keep her from falling to the ground, if her fits should occasion it: for the elbow-chair, she thought, would keep her from falling on either side. And to divert Mrs. Veal, as she thought, took hold of her gown-sleeve several times, and commended it. Mrs. Veal told her, it was a scowered silk, and newly made up. But for all this, Mrs. Veal persisted in her request, and told Mrs. Bargrave, she must not deny her: and she would have her tell her brother all their conversation, when she had opportunity. Dear Mrs. Veal, says Mrs. Bargrave, this seems so impertinent, that I cannot tell how to comply with it; and what a mortifying story will our conversation be to a young gentleman? Why, says Mrs. Bargrave, it is much better, methinks, to do it yourself. No, says Mrs. Veal, though it seems impertinent to you now, you will see more reason for it hereafter. Mrs. Bargrave then, to satisfy her importunity, was going to fetch a pen and ink; but Mrs. Veal said, Let it alone now, but do it when I am gone; but you must be sure to do it: which was one of the last things she enjoined her at parting; and so she promised her.

Then Mrs. Veal asked for Mrs. Bargrave's daughter; she said, she was not at home: But if you have a mind to see her, says Mrs. Bargrave, I'll send for her. Do, says Mrs. Veal. On which she left her, and went to a neighbor's to seek for her; and by the time Mrs. Bargrave was returning, Mrs. Veal was got without the door in the street, in the face of the beast-market, on a Saturday, which is market-day, and stood ready to part, as soon as Mrs. Bargrave came to her. She asked her, why she was in such haste. She said she must be going, though perhaps she might not go her journey till Monday; and told Mrs. Bargrave, she hoped she should see her again at her cousin Watson's, before she went whither she was going. Then she said, she would take her leave of her, and walked from Mrs. Bargrave in her view, till a turning interrupted the sight of her, which was three quarters after one in the afternoon.

Mrs. Veal died the 7th of September, at twelve o'clock [Pg 9]at noon of her fits, and had not above four hours' senses before her death, in which time she received the sacrament. The next day after Mrs. Veal's appearing, being Sunday, Mrs. Bargrave was mightily indisposed with a cold, and a sore throat, that she could not go out that day; but on Monday morning she sent a person to Captain Watson's, to know if Mrs. Veal was there. They wondered at Mrs. Bargrave's inquiry; and sent her word, that she was not there, nor was expected. At this answer Mrs. Bargrave told the maid she had certainly mistook the name, or made some blunder. And though she was ill, she put on her hood, and went herself to Captain Watson's though she knew none of the family, to see if Mrs. Veal was there or not. They said, they wondered at her asking, for that she had not been in town; they were sure, if she had, she would have been there. Says Mrs. Bargrave, I am sure she was with me on Saturday almost two hours. They said, it was impossible; for they must have seen her if she had. In comes Captain Watson, while they were in dispute, and said, that Mrs. Veal was certainly dead, and her escutcheons were making. This strangely surprised Mrs. Bargrave, when she sent to the person immediately who had the care of them, and found it true. Then she related the whole story to Captain Watson's family, and what gown she had on, and how striped; and that Mrs. Veal told her, it was scowered. Then Mrs. Watson cried out, You have seen her indeed, for none knew, but Mrs. Veal and myself, that the gown was scowered. And Mrs. Watson owned, that she described the gown exactly: For, said she, I helped her to make it up. This Mrs. Watson blazed all about the town, and avouched the demonstration of the truth of Mrs. Bargrave's seeing Mrs. Veal's apparition. And Captain Watson carried two gentlemen immediately to Mrs. Bargrave's house, to hear the relation of her own mouth. And when it spread so fast, that gentlemen and persons of quality, the judicious and skeptical part of the world, flocked in upon her, it at last became such a task, that she was forced to go out of the way. For they were, in general, extremely satisfied of the truth of the thing, and plainly saw that Mrs. Bargrave was no hypochondraic; for she always ap[Pg 10]pears with such a cheerful air, and pleasing mien, that she has gained the favor and esteem of all the gentry; and it is thought a great favor, if they can but get the relation from her own mouth. I should have told you before, that Mrs. Veal told Mrs. Bargrave, that her sister and brother-in-law were just come down from London to see her. Says Mrs. Bargrave, How came you to order matters so strangely? It could not be helped, says Mrs. Veal. And her brother and sister did come to see her, and entered the town of Dover just as Mrs. Veal was expiring. Mrs. Bargrave, asked her, whether she would drink some tea. Says Mrs. Veal, I do not care if I do; but I'll warrant you, this mad fellow (meaning Mrs. Bargrave's husband) has broke all your trinkets. But, says Mrs. Bargrave, I'll get something to drink in for all that; but Mrs. Veal waived it, and said, It is no matter, let it alone; and so it passed.

All the time I sat with Mrs. Bargrave, which was some hours, she recollected fresh sayings of Mrs. Veal. And one material thing more she told Mrs. Bargrave, that old Mr. Breton allowed Mrs. Veal ten pounds a year; which was a secret, and unknown to Mrs. Bargrave, till Mrs. Veal told it her.

Mrs. Bargrave never varies in her story; which puzzles those who doubt of the truth, or are unwilling to believe it. A servant in the neighbor's yard, adjoining to Mrs. Bargrave's house, heard her talking to somebody an hour of the time Mrs. Veal was with her. Mrs. Bargrave went out to her next neighbor's the very moment she parted with Mrs. Veal, and told her what ravishing conversation she had with an old friend, and told the whole of it. Drelincourt's Book of Death is, since this happened, bought up strangely. And it is to be observed, that notwithstanding all the trouble and fatigue Mrs. Bargrave has undergone upon this account, she never took the value of a farthing, nor suffered her daughter to take anything of anybody, and therefore can have no interest in telling the story.

But Mr. Veal does what he can to stifle the matter, and said, he would see Mrs. Bargrave; but yet it is certain matter of fact that he has been at Captain Watson's since the death of his sister, and yet never went near Mrs.[Pg 11] Bargrave; and some of his friends report her to be a liar, and that she knew of Mr. Breton's ten pounds a year. But the person who pretends to say so, has the reputation of a notorious liar, among persons whom I know to be of undoubted credit. Now Mr. Veal is more of a gentleman than to say she lies; but says, a bad husband has crazed her. But she needs only present herself, and it will effectually confute that pretense. Mr. Veal says, he asked his sister on her death-bed, whether she had a mind to dispose of anything? And she said, No. Now, the things which Mrs. Veal's apparition would have disposed of, were so trifling, and nothing of justice aimed at in their disposal, that the design of it appears to me to be only in order to make Mrs. Bargrave so to demonstrate the truth of her appearance, as to satisfy the world of the reality thereof, as to what she had seen and heard; and to secure her reputation among the reasonable and understanding part of mankind. And then again, Mr. Veal owns, that there was a purse of gold; but it was not found in her cabinet, but in a comb-box. This looks improbable; for that Mrs. Watson owned, that Mrs. Veal was so very careful of the key of the cabinet, that she would trust nobody with it. And if so, no doubt she would not trust her gold out of it. And Mrs. Veal's often drawing her hand over her eyes, and asking Mrs. Bargrave whether her fits had not impaired her, looks to me as if she did it on purpose to remind Mrs. Bargrave of her fits, to prepare her not to think it strange that she should put her upon writing to her brother to dispose of rings and gold, which looked so much like a dying person's request; and it took accordingly with Mrs. Bargrave, as the effects of her fits coming upon her; and was one of the many instances of her wonderful love to her, and care of her, that she should not be affrighted; which indeed appears in her whole management, particularly in her coming to her in the day-time, waiving the salutation, and when she was alone; and then the manner of her parting, to prevent a second attempt to salute her.

Now, why Mr. Veal should think this relation a reflection, as it is plain he does, by his endeavoring to stifle it, I cannot imagine; because the generality believe her to be [Pg 12]a good spirit, her discourse was so heavenly. Her two great errands were to comfort Mrs. Bargrave in her affliction, and to ask her forgiveness for the breach of friendship, and with a pious discourse to encourage her. So that, after all, to suppose that Mrs. Bargrave could hatch such an invention as this from Friday noon till Saturday noon, supposing that she knew of Mrs. Veal's death the very first moment, without jumbling circumstances, and without any interest too; she must be more witty, fortunate, and wicked too, than any indifferent person, I dare say, will allow. I asked Mrs. Bargrave several times, if she was sure she felt the gown? She answered modestly, If my senses be to be relied on, I am sure of it. I asked her, if she heard a sound when she clapped her hand upon her knee? She said, she did not remember she did; but said she appeared to be as much a substance as I did, who talked with her. And I may, said she, be as soon persuaded, that your apparition is talking to me now, as that I did not really see her: for I was under no manner of fear, and received her as a friend, and parted with her as such. I would not, says she, give one farthing to make any one believe it: I have no interest in it; nothing but trouble is entailed upon me for a long time, for aught I know; and had it not come to light by accident, it would never have been made public. But now, she says, she will make her own private use of it, and keep herself out of the way as much as she can; and so she has done since. She says, She had a gentleman who came thirty miles to her to hear the relation; and that she had told it to a room full of people at a time. Several particular gentlemen have had the story from Mrs. Bargrave's own mouth.

This thing has very much affected me, and I am as well satisfied, as I am of the best-grounded matter of fact. And why we should dispute matter of fact, because we cannot solve things of which we can have no certain or demonstrative notions, seems strange to me. Mrs. Bargrave's authority and sincerity alone, would have been undoubted in any other case.[Pg 13]

TO THE READER


The origin of the foregoing curious story seems to have been as follows:—

An adventurous bookseller had ventured to print a considerable edition of a work by the Reverend Charles Drelincourt, minister of the Calvinist church in Paris, and translated by M. D'Assigny, under the title of "The Christian's Defense against the Fear of Death, with several directions how to prepare ourselves to die well." But however certain the prospect of death, it is not so agreeable (unfortunately) as to invite the eager contemplation of the public; and Drelincourt's book, being neglected, lay a dead stock on the hands of the publisher. In this emergency, he applied to De Foe to assist him (by dint of such means as were then, as well as now, pretty well understood in the literary world) in rescuing the unfortunate book from the literary death to which general neglect seemed about to consign it.

De Foe's genius and audacity devised a plan which, for assurance and ingenuity, defied even the powers of Mr. Puff in the Critic: for who but himself would have thought of summoning up a ghost from the grave to bear witness in favor of a halting body of divinity? There is a matter-of-fact, business-like style in the whole account of the transaction, which bespeaks ineffable powers of self-possession. The narrative is drawn up "by a gentleman, a Justice of Peace at Maidstone, in Kent, a very intelligent person." And, moreover, "the discourse is attested by a very sober gentlewoman, who lives in Canterbury, within a few doors of the house in which Mrs. Bargrave lives." The Justice believes his kinswoman to be of so discerning a spirit, as not to be put upon by any fallacy—and the kinswoman positively assures the Justice, "that the whole matter, as it is related and laid down, is really true, and what she herself heard, as near as may be, from Mrs. Bargrave's own mouth, who, she knows, had no reason to invent or publish such a story, or any design to forge and tell a lie, being a woman of so much honesty and virtue, and her whole life a course, as it were, of piety." Skepticism itself could not resist this triple court of evidence so artfully combined, the Justice [Pg 14]attesting for the discerning spirit of the sober and understanding gentlewoman his kinswoman, and his kinswoman becoming bail for the veracity of Mrs. Bargrave. And here, gentle reader, admire the simplicity of those days. Had Mrs. Veal's visit to her friend happened in our time, the conductors of the daily press would have given the word, and seven gentlemen unto the said press belonging, would, with an obedient start, have made off for Kingston, for Canterbury, for Dover,—for Kamchatka if necessary,—to pose the Justice, cross-examine Mrs. Bargrave, confront the sober and understanding kinswoman, and dig Mrs. Veal up from her grave, rather than not get to the bottom of the story. But in our time we doubt and scrutinize; our ancestors wondered and believed.

Before the story is commenced, the understanding gentlewoman (not the Justice of Peace), who is the reporter, takes some pains to repel the objections made against the story by some of the friends of Mrs. Veal's brother, who consider the marvel as an aspersion on their family, and do what they can to laugh it out of countenance. Indeed, it is allowed, with admirable impartiality, that Mr. Veal is too much of a gentleman to suppose Mrs. Bargrave invented the story—scandal itself could scarce have supposed that—although one notorious liar, who is chastised towards the conclusion of the story, ventures to throw out such an insinuation. No reasonable or respectable person, however, could be found to countenance the suspicion, and Mr. Veal himself opined that Mrs. Bargrave had been driven crazy by a cruel husband, and dreamed the whole story of the apparition. Now all this is sufficiently artful. To have vouched the fact as universally known, and believed by every one, nem. con., would not have been half so satisfactory to a skeptic as to allow fairly that the narrative had been impugned, and hint at the character of one of those skeptics, and the motives of another, as sufficient to account for their want of belief. Now to the fact itself.

Mrs. Bargrave and Mrs. Veal had been friends in youth, and had protested their attachment should last as long as they lived; but when Mrs. Veal's brother obtained an office in the customs at Dover, some cessation of their inti[Pg 15]macy ensued, "though without any positive quarrel." Mrs. Bargrave had removed to Canterbury, and was residing in a house of her own, when she was suddenly interrupted by a visit from Mrs. Veal, as she was sitting in deep contemplation of certain distresses of her own. The visitor was in a riding-habit, and announced herself as prepared for a distant journey (which seems to intimate that spirits have a considerable distance to go before they arrive at their appointed station, and that the females at least put on a habit for the occasion). The spirit, for such was the seeming Mrs. Veal, continued to waive the ceremony of salutation, both in going and coming, which will remind the reader of a ghostly lover's reply to his mistress in the fine old Scottish ballad:—

Why should I come within thy bower?
I am no earthly man;
And should I kiss thy rosy lips,
Thy days would not be lang.

They then began to talk in the homely style of middle-aged ladies, and Mrs. Veal proses concerning the conversations they had formerly held, and the books they had read together. Her very recent experience probably led Mrs. Veal to talk of death, and the books written on the subject, and she pronounced ex cathedrá, as a dead person was best entitled to do, that "Drelincourt's book on Death was the best book on the subject ever written." She also mentioned Dr. Sherlock, two Dutch books which had been translated, and several others; but Drelincourt, she said, had the clearest notions of death and the future state of any who had handled that subject. She then asked for the work [we marvel the edition and impress had not been mentioned] and lectured on it with great eloquence and affection. Dr. Kenrick's Ascetick was also mentioned with approbation by this critical specter [the Doctor's work was no doubt a tenant of the shelf in some favorite publisher's shop]; and Mr. Norris's Poem on Friendship, a work, which I doubt, though honored with a ghost's approbation, we may now seek for as vainly as Correlli tormented his memory to recover the sonata which the devil played to him in a dream. Presently after, from former habits we may suppose, the [Pg 16]guest desires a cup of tea; but, bethinking herself of her new character, escapes from her own proposal by recollecting that Mr. Bargrave was in the habit of breaking his wife's china. It would have been indeed strangely out of character if the spirit had lunched, or breakfasted upon tea and toast. Such a consummation would have sounded as ridiculous as if the statue of the commander in Don Juan had not only accepted of the invitation of the libertine to supper, but had also committed a beefsteak to his flinty jaws and stomach of adamant. A little more conversation ensued of a less serious nature, and tending to show that even the passage from life to death leaves the female anxiety about person and dress somewhat alive. The ghost asked Mrs. Bargrave whether she did not think her very much altered, and Mrs. Bargrave of course complimented her on her good looks. Mrs. Bargrave also admired the gown which Mrs. Veal wore, and as a mark of her perfectly restored confidence, the spirit led her into the important secret, that it was ascoured silk, and lately made up. She informed her also of another secret, namely, that one Mr. Breton had allowed her ten pounds a year; and, lastly, she requested that Mrs. Bargrave would write to her brother, and tell him how to distribute her mourning rings, and mentioned there was a purse of gold in her cabinet. She expressed some wish to see Mrs. Bargrave's daughter; but when that good lady went to the next door to seek her, she found on her return the guest leaving the house. She had got without the door, in the street, in the face of the beast market, on a Saturday, which is market day, and stood ready to part. She said she must be going, as she had to call upon her cousin Watson (this appears to be a gratis dictum on the part of the ghost) and, maintaining the character of mortality to the last, she quietly turned the corner, and walked out of sight.

Then came the news of Mrs. Veal's having died the day before at noon. Says Mrs. Bargrave, "I am sure she was with me on Saturday almost two hours." And in comes Captain Watson, and says Mrs. Veal was certainly dead. And then come all the pieces of evidence, and especially the striped silk gown. Then Mrs. Watson cried out, "You have [Pg 17]seen her indeed, for none knew but Mrs. Veal and I that that gown was scoured"; and she cried that the gown was described exactly, for, said she, "I helped her to make it up." And next we have the silly attempts made to discredit the history. Even Mr. Veal, her brother, was obliged to allow that the gold was found, but with a difference, and pretended it was not found in a cabinet, but elsewhere; and, in short, we have all the gossip of says I, and thinks I, and says she, and thinks she, which disputed matters usually excite in a country town.

When we have thus turned the tale, the seam without, it may be thought too ridiculous to have attracted notice. But whoever will read it as told by De Foe himself, will agree that, could the thing have happened in reality, so it would have been told. The sobering the whole supernatural visit into the language of the middle or low life, gives it an air of probability even in its absurdity. The ghost of an exciseman's housekeeper, and a seamstress, were not to converse like Brutus with his Evil Genius. And the circumstances of scoured silks, broken tea-china, and such like, while they are the natural topics of such persons' conversation, would, one might have thought, be the last which an inventor would have introduced into a pretended narrative betwixt the dead and living. In short, the whole is so distinctly circumstantial, that, were it not for the impossibility, or extreme improbability at least, of such an occurrence, the evidence could not but support the story.

The effect was most wonderful. Drelincourt upon Death, attested by one who could speak from experience, took an unequaled run. The copies had hung on the bookseller's hands as heavy as a pile of lead bullets. They now traversed the town in every direction, like the same balls discharged from a field-piece. In short, the object of Mrs. Veal's apparition was perfectly attained.—[See The Miscellaneous Prose Works of Sir Walter Scott, Bart., vol. iv. p. 305, ed. 1827.][Pg 18]



CANON ALBERIC'S SCRAP-BOOK

By Montague Rhodes James

St. Bertrand de Comminges is a decayed town on the spurs of the Pyrenees, not very far from Toulouse, and still nearer to Bagnères-de-Luchon. It was the site of a bishopric until the Revolution, and has a cathedral which is visited by a certain number of tourists. In the spring of 1883 an Englishman arrived at this old-world place—I can hardly dignify it with the name of city, for there are not a thousand inhabitants. He was a Cambridge man, who had come specially from Toulouse to see St. Bertrand's Church, and had left two friends, who were less keen archæologists than himself, in their hotel at Toulouse, under promise to join him on the following morning. Half an hour at the church would satisfy them, and all three could then pursue their journey in the direction of Auch. But our Englishman had come early on the day in question, and proposed to himself to fill a note-book and to use several dozens of plates in the process of describing and photographing every corner of the wonderful church that dominates the little hill of Comminges. In order to carry out this design satisfactorily, it was necessary to monopolize the verger of the church for the day. The verger or sacristan (I prefer the latter appellation, inaccurate as it may be) was accordingly sent for by the somewhat brusque lady who keeps the inn of the Chapeau Rouge; and when he came, the Englishman found him an unexpectedly interesting object of study. It was not in the personal appearance of the little, dry, wizened old man that the interest lay, for he was precisely like dozens of other church-guardians in France, but in a curious furtive, or rather hunted and oppressed, air which he had. He was perpetually half glancing behind him; the muscles of his [Pg 19]back and shoulders seemed to be hunched in a continual nervous contraction, as if he were expecting every moment to find himself in the clutch of an enemy. The Englishman hardly knew whether to put him down as a man haunted by a fixed delusion, or as one oppressed by a guilty conscience, or as an unbearably henpecked husband. The probabilities, when reckoned up, certainly pointed to the last idea; but, still, the impression conveyed was that of a more formidable persecutor even than a termagant wife.

However, the Englishman (let us call him Dennistoun) was soon too deep in his note-book and too busy with his camera to give more than an occasional glance to the sacristan. Whenever he did look at him, he found him at no great distance, either huddling himself back against the wall or crouching in one of the gorgeous stalls. Dennistoun became rather fidgety after a time. Mingled suspicions that he was keeping the old man from his déjeuner, that he was regarded as likely to make away with St. Bertrand's ivory crozier, or with the dusty stuffed crocodile that hangs over the font, began to torment him.

"Won't you go home?" he said at last; "I'm quite well able to finish my notes alone; you can lock me in if you like. I shall want at least two hours more here, and it must be cold for you, isn't it?"

"Good heavens!" said the little man, whom the suggestion seemed to throw into a state of unaccountable terror, "such a thing cannot be thought of for a moment. Leave monsieur alone in the church? No, no; two hours, three hours, all will be the same to me. I have breakfasted, I am not at all cold, with many thanks to monsieur."

"Very well, my little man," quoth Dennistoun to himself: "you have been warned, and you must take the consequences."

Before the expiration of the two hours, the stalls, the enormous dilapidated organ, the choir-screen of Bishop John de Mauléon, the remnants of glass and tapestry, and the objects in the treasure-chamber, had been well and truly examined; the sacristan still keeping at Dennistoun's heels, and every now and then whipping round as if he had been stung, when one or other of the strange noises that [Pg 20]trouble a large empty building fell on his ear. Curious noises they were sometimes.

"Once," Dennistoun said to me, "I could have sworn I heard a thin metallic voice laughing high up in the tower. I darted an inquiring glance at my sacristan. He was white to the lips. 'It is he—that is—it is no one; the door is locked,' was all he said, and we looked at each other for a full minute."

Another little incident puzzled Dennistoun a good deal. He was examining a large dark picture that hangs behind the altar, one of a series illustrating the miracles of St. Bertrand. The composition of the picture is well-nigh indecipherable, but there is a Latin legend below, which runs thus:

"Qualiter S. Bertrandus liberavit hominem quem diabolus diu volebat strangulare." (How St. Bertrand delivered a man whom the Devil long sought to strangle.)

Dennistoun was turning to the sacristan with a smile and a jocular remark of some sort on his lips, but he was confounded to see the old man on his knees, gazing at the picture with the eye of a suppliant in agony, his hands tightly clasped, and a rain of tears on his cheeks. Dennistoun naturally pretended to have noticed nothing, but the question would not away from him, "Why should a daub of this kind affect any one so strongly?" He seemed to himself to be getting some sort of clue to the reason of the strange look that had been puzzling him all the day: the man must be monomaniac; but what was his monomania?

It was nearly five o'clock; the short day was drawing in, and the church began to fill with shadows, while the curious noises—the muffled footfalls and distant talking voices that had been perceptible all day—seemed, no doubt because of the fading light and the consequently quickened sense of hearing, to become more frequent and insistent.

The sacristan began for the first time to show signs of hurry and impatience. He heaved a sigh of relief when camera and note-book were finally packed up and stowed [Pg 21]away, and hurriedly beckoned Dennistoun to the western door of the church, under the tower. It was time to ring the Angelus. A few pulls at the reluctant rope, and the great bell Bertrande, high in the tower, began to speak, and swung her voice up among the pines and down to the valleys, loud with mountain-streams, calling the dwellers on those lonely hills to remember and repeat the salutation of the angel to her whom he called Blessed among women. With that a profound quiet seemed to fall for the first time that day upon the little town, and Dennistoun and the sacristan went out of the church.

On the doorstep they fell into conversation.

"Monsieur seemed to interest himself in the old choir-books in the sacristy."

"Undoubtedly. I was going to ask you if there were a library in the town."

"No, monsieur; perhaps there used to be one belonging to the Chapter, but it is now such a small place——" Here came a strange pause of irresolution, as it seemed; then, with a sort of plunge, he went on: "But if monsieur is amateur des vieux livres, I have at home something that might interest him. It is not a hundred yards."

At once all Dennistoun's cherished dreams of finding priceless manuscripts in untrodden corners of France flashed up, to die down again the next moment. It was probably a stupid missal of Plantin's printing, about 1580. Where was the likelihood that a place so near Toulouse would not have been ransacked long ago by collectors? However, it would be foolish not to go; he would reproach himself for ever after if he refused. So they set off. On the way the curious irresolution and sudden determination of the sacristan recurred to Dennistoun, and he wondered in a shamefaced way whether he was being decoyed into some purlieu to be made away with as a supposed rich Englishman. He contrived, therefore, to begin talking with his guide, and to drag in, in a rather clumsy fashion, the fact that he expected two friends to join him early the next morning. To his surprise, the announcement seemed to relieve the sacristan at once of some of the anxiety that oppressed him.[Pg 22]

"That is well," he said quite brightly—"that is very well. Monsieur will travel in company with his friends; they will be always near him. It is a good thing to travel thus in company—sometimes."

The last word appeared to be added as an afterthought, and to bring with it a relapse into gloom for the poor little man.

They were soon at the house, which was one rather larger than its neighbors, stone-built, with a shield carved over the door, the shield of Alberic de Mauléon, a collateral descendant, Dennistoun tells me, of Bishop John de Mauléon. This Alberic was a Canon of Comminges from 1680 to 1701. The upper windows of the mansion were boarded up, and the whole place bore, as does the rest of Comminges, the aspect of decaying age.

Arrived on his doorstep, the sacristan paused a moment.

"Perhaps," he said, "perhaps, after all, monsieur has not the time?"

"Not at all—lots of time—nothing to do till to-morrow. Let us see what it is you have got."

The door was opened at this point, and a face looked out, a face far younger than the sacristan's, but bearing something of the same distressing look: only here it seemed to be the mark, not so much of fear for personal safety as of acute anxiety on behalf of another. Plainly, the owner of the face was the sacristan's daughter; and, but for the expression I have described, she was a handsome girl enough. She brightened up considerably on seeing her father accompanied by an able-bodied stranger. A few remarks passed between father and daughter, of which Dennistoun only caught these words, said by the sacristan, "He was laughing in the church," words which were answered only by a look of terror from the girl.

But in another minute they were in the sitting-room of the house, a small, high chamber with a stone floor, full of moving shadows cast by a wood-fire that flickered on a great hearth. Something of the character of an oratory was imparted to it by a tall crucifix, which reached almost to the ceiling on one side; the figure was painted of the natural colors, the cross was black. Under this stood a chest of [Pg 23]some age and solidity, and when a lamp had been brought, and chairs set, the sacristan went to this chest, and produced therefrom, with growing excitement and nervousness, as Dennistoun thought, a large book wrapped in a white cloth, on which cloth a cross was rudely embroidered in red thread. Even before the wrapping had been removed, Dennistoun began to be interested by the size and shape of the volume. "Too large for a missal," he thought, "and not the shape of an antiphoner; perhaps it may be something good, after all." The next moment the book was open, and Dennistoun felt that he had at last lit upon something better than good. Before him lay a large folio, bound, perhaps, late in the seventeenth century, with the arms of Canon Alberic de Mauléon stamped in gold on the sides. There may have been a hundred and fifty leaves of paper in the book, and on almost every one of them was fastened a leaf from an illuminated manuscript. Such a collection Dennistoun had hardly dreamed of in his wildest moments. Here were ten leaves from a copy of Genesis, illustrated with pictures, which could not be later than 700 a.d. Further on was a complete set of pictures from a psalter, of English execution, of the very finest kind that the thirteenth century could produce; and, perhaps best of all, there were twenty leaves of uncial writing in Latin, which, as a few words seen here and there told him at once, must belong to some very early unknown patristic treatise. Could it possibly be a fragment of the copy of Papias "On the Words of Our Lord," which was known to have existed as late as the twelfth century at Nîmes?[A] In any case, his mind was made up; that book must return to Cambridge with him, even if he had to draw the whole of his balance from the bank and stay at St. Bertrand till the money came. He glanced up at the sacristan to see if his face yielded any hint that the book was for sale. The sacristan was pale, and his lips were working.

"If monsieur will turn on to the end," he said.

So monsieur turned on, meeting new treasures at every rise of a leaf; and at the end of the book he came upon [Pg 24]two sheets of paper, of much more recent date than anything he had yet seen, which puzzled him considerably. They must be contemporary, he decided, with the unprincipled Canon Alberic, who had doubtless plundered the Chapter library of St. Bertrand to form this priceless scrapbook. On the first of the paper sheets was a plan, carefully drawn and instantly recognizable by a person who knew the ground, of the south aisle and cloisters of St. Bertrand's. There were curious signs looking like planetary symbols, and a few Hebrew words in the corners; and in the northwest angle of the cloister was a cross drawn in gold paint. Below the plan were some lines of writing in Latin, which ran thus:

"Responsa 12mi Dec. 1694. Interrogatum est: Inveniamne? Responsum est: Invenies. Fiamne dives? Fies. Vivamne invidendus? Vives. Moriarne in lecto meo? Ita." (Answers of the 12th of December, 1694. It was asked: Shall I find it? Answer: Thou shalt. Shall I become rich? Thou wilt. Shall I live an object of envy? Thou wilt. Shall I die in my bed? Thou wilt.)

"A good specimen of the treasure-hunter's record—quite reminds one of Mr. Minor-Canon Quatremain in 'Old St. Paul's,'" was Dennistoun's comment, and he turned the leaf.

What he then saw impressed him, as he has often told me, more than he could have conceived any drawing or picture capable of impressing him. And, though the drawing he saw is no longer in existence, there is a photograph of it (which I possess) which fully bears out that statement. The picture in question was a sepia drawing at the end of the seventeenth century, representing, one would say at first sight, a Biblical scene; for the architecture (the picture represented an interior) and the figures had that semi-classical flavor about them which the artists of two hundred years ago thought appropriate to illustrations of the Bible. On the right was a king on his throne, the throne elevated on twelve steps, a canopy overhead, soldiers on either side—evidently King Solomon. He was bending forward with outstretched scepter, in attitude of command; his face expressed horror and disgust, yet there was [Pg 25]in it also the mark of imperious command and confident power. The left half of the picture was the strangest, however. The interest plainly centered there. On the pavement before the throne were grouped four soldiers, surrounding a crouching figure which must be described in a moment. A fifth soldier lay dead on the pavement, his neck distorted, and his eyeballs starting from his head. The four surrounding guards were looking at the King. In their faces the sentiment of horror was intensified; they seemed, in fact, only restrained from flight by their implicit trust in their master. All this terror was plainly excited by the being that crouched in their midst. I entirely despair of conveying by any words the impression which this figure makes upon any one who looks at it. I recollect once showing the photograph of the drawing to a lecturer on morphology—a person of, I was going to say, abnormally sane and unimaginative habits of mind. He absolutely refused to be alone for the rest of that evening, and he told me afterwards that for many nights he had not dared to put out his light before going to sleep. However, the main traits of the figure I can at least indicate. At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned king with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy. One remark is universally made by those to whom I have shown the picture: "It was drawn from the life."

As soon as the first shock of his irresistible fright had subsided, Dennistoun stole a look at his hosts. The sacristan's hands were pressed upon his eyes; his daughter, looking up at the cross on the wall, was telling her beads feverishly.[Pg 26]

At last the question was asked, "Is this book for sale?"

There was the same hesitation, the same plunge of determination, that he had noticed before, and then came the welcome answer, "If monsieur pleases."

"How much do you ask for it?"

"I will take two hundred and fifty francs."

This was confounding. Even a collector's conscience is sometimes stirred, and Dennistoun's conscience was tenderer than a collector's.

"My good man!" he said again and again, "your book is worth far more than two hundred and fifty francs, I assure you—far more."

But the answer did not vary: "I will take two hundred and fifty francs, not more."

There was really no possibility of refusing such a chance. The money was paid, the receipt signed, a glass of wine drunk over the transaction, and then the sacristan seemed to become a new man. He stood upright, he ceased to throw those suspicious glances behind him, he actually laughed or tried to laugh. Dennistoun rose to go.

"I shall have the honor of accompanying monsieur to his hotel?" said the sacristan.

"Oh no, thanks! it isn't a hundred yards. I know the way perfectly, and there is a moon."

The offer was pressed three or four times, and refused as often.

"Then, monsieur will summon me if—if he finds occasion; he will keep the middle of the road, the sides are so rough."

"Certainly, certainly," said Dennistoun, who was impatient to examine his prize by himself; and he stepped out into the passage with his book under his arm.

Here he was met by the daughter; she, it appeared, was anxious to do a little business on her own account; perhaps, like Gehazi, to "take somewhat" from the foreigner whom her father had spared.

"A silver crucifix and chain for the neck; monsieur would perhaps be good enough to accept it?"

Well, really, Dennistoun hadn't much use for these things. What did mademoiselle want for it?[Pg 27]

"Nothing—nothing in the world. Monsieur is more than welcome to it."

The tone in which this and much more was said was unmistakably genuine, so that Dennistoun was reduced to profuse thanks, and submitted to have the chain put round his neck. It really seemed as if he had rendered the father and daughter some service which they hardly knew how to repay. As he set off with his book they stood at the door looking after him, and they were still looking when he waved them a last good-night from the steps of the Chapeau Rouge.

Dinner was over, and Dennistoun was in his bedroom, shut up alone with his acquisition. The landlady had manifested a particular interest in him since he had told her that he had paid a visit to the sacristan and bought an old book from him. He thought, too, that he had heard a hurried dialogue between her and the said sacristan in the passage outside the salle à manger; some words to the effect that "Pierre and Bertrand would be sleeping in the house" had closed the conversation.

At this time a growing feeling of discomfort had been creeping over him—nervous reaction, perhaps, after the delight of his discovery. Whatever it was, it resulted in a conviction that there was some one behind him, and that he was far more comfortable with his back to the wall. All this, of course, weighed light in the balance as against the obvious value of the collection he had acquired. And now, as I said, he was alone in his bedroom, taking stock of Canon Alberic's treasures, in which every moment revealed something more charming.

"Bless Canon Alberic!" said Dennistoun, who had an inveterate habit of talking to himself. "I wonder where he is now? Dear me! I wish that landlady would learn to laugh in a more cheering manner; it makes one feel as if there was some one dead in the house. Half a pipe more, did you say? I think perhaps you are right. I wonder what that crucifix is that the young woman insisted on giving me? Last century, I suppose. Yes, probably. It is rather a nuisance of a thing to have round one's neck—just too heavy. Most likely her father had been wearing it [Pg 28]for years. I think I might give it a clean up before I put it away."

He had taken the crucifix off, and laid it on the table, when his attention was caught by an object lying on the red cloth just by his left elbow. Two or three ideas of what it might be flitted through his brain with their own incalculable quickness.

"A penwiper? No, no such thing in the house. A rat? No, too black. A large spider? I trust to goodness not—no. Good God! a hand like the hand in that picture!"

In another infinitesimal flash he had taken it in. Pale, dusky skin, covering nothing but bones and tendons of appalling strength; coarse black hairs, longer than ever grew on a human hand; nails rising from the ends of the fingers and curving sharply down and forward, gray, horny and wrinkled.

He flew out of his chair with deadly, inconceivable terror clutching at his heart. The shape, whose left hand rested on the table, was rising to a standing posture behind his seat, its right hand crooked above his scalp. There was black and tattered drapery about it; the coarse hair covered it as in the drawing. The lower jaw was thin—what can I call it?—shallow, like a beast's; teeth showed behind the black lips; there was no nose; the eyes, of a fiery yellow, against which the pupils showed black and intense, and the exulting hate and thirst to destroy life which shone there, were the most horrifying feature in the whole vision. There was intelligence of a kind in them—intelligence beyond that of a beast, below that of a man.

The feelings which this horror stirred in Dennistoun were the intensest physical fear and the most profound mental loathing. What did he do? What could he do? He has never been quite certain what words he said, but he knows that he spoke, that he grasped blindly at the silver crucifix, that he was conscious of a movement towards him on the part of the demon, and that he screamed with the voice of an animal in hideous pain.

Pierre and Bertrand, the two sturdy little serving-men, who rushed in, saw nothing, but felt themselves thrust aside by something that passed out between them, and found[Pg 29] Dennistoun in a swoon. They sat up with him that night, and his two friends were at St. Bertrand by nine o'clock next morning. He himself, though still shaken and nervous, was almost himself by that time, and his story found credence with them, though not until they had seen the drawing and talked with the sacristan.

Almost at dawn the little man had come to the inn on some pretense, and had listened with the deepest interest to the story retailed by the landlady. He showed no surprise.

"It is he—it is he! I have seen him myself," was his only comment; and to all questionings but one reply was vouchsafed: "Deux fois je l'ai vu; mille fois je l'ai senti." He would tell them nothing of the provenance of the book, nor any details of his experiences. "I shall soon sleep, and my rest will be sweet. Why should you trouble me?" he said.[B]

We shall never know what he or Canon Alberic de Mauléon suffered. At the back of that fateful drawing were some lines of writing which may be supposed to throw light on the situation:


"Contradictio Salomonis cum demonio nocturno.
Albericus de Mauleone delineavit.
V. Deus in adiutorium. Ps. Qui habitat.
Sancte Bertrande, demoniorum effugator, intercede pro me miserrimo.
Primum uidi nocte 12mi Dec. 1694: uidebo mox ultimum.

Peccaui et passus sum, plura adhuc passurus. Dec. 29, 1701."[C]

[Pg 30]I have never quite understood what was Dennistoun's view of the events I have narrated. He quoted to me once a test from Ecclesiasticus: "Some spirits there be that are created for vengeance, and in their fury lay on sore strokes." On another occasion he said: "Isaiah was a very sensible man; doesn't he say something about night monsters living in the ruins of Babylon? These things are rather beyond us at present."

Another confidence of his impressed me rather, and I sympathized with it. We had been, last year, to Comminges, to see Canon Alberic's tomb. It is a great marble erection with an effigy of the Canon in a large wig and soutane, and an elaborate eulogy of his learning below. I saw Dennistoun talking for some time with the Vicar of St. Bertrand's, and as we drove away he said to me: "I hope it isn't wrong: you know I am a Presbyterian—but I—I believe there will be 'saying of Mass and singing of dirges' for Alberic de Mauléon's rest." Then he added, with a touch of the Northern British in his tone, "I had no notion they came so dear."


The book is in the Wentworth Collection at Cambridge. The drawing was photographed and then burnt by Dennistoun on the day when he left Comminges on the occasion of his first visit.[Pg 31]


THE HAUNTED AND THE HAUNTERS

OR,

THE HOUSE AND THE BRAIN

By Edward Bulwer-Lytton

A friend of mine, who is a man of letters and a philosopher, said to me one day, as if between jest and earnest,—"Fancy! since we last met, I have discovered a haunted house in the midst of London."

"Really haunted?—and by what? ghosts?"

"Well, I can't answer that question: all I know is this—six weeks ago my wife and I were in search of a furnished apartment. Passing a quiet street, we saw on the window of one of the houses a bill, 'Apartments Furnished.' The situation suited us; we entered the house—liked the rooms—engaged them by the week—and left them the third day. No power on earth could have reconciled my wife to stay longer; and I don't wonder at it."

"What did you see?"

"Excuse me—I have no desire to be ridiculed as a superstitious dreamer—nor, on the other hand, could I ask you to accept on my affirmation what you would hold to be incredible without the evidence of your own senses. Let me only say this, it was not so much what we saw or heard (in which you might fairly suppose that we were the dupes of our own excited fancy, or the victims of imposture in others) that drove us away, as it was an undefinable terror which seized both of us whenever we passed by the door of a certain unfurnished room, in which we neither saw nor heard anything. And the strangest marvel of all was, that for once in my life I agreed with my wife, silly woman [Pg 32]though she be—and allowed, after the third night, that it was impossible to stay a fourth in that house. Accordingly, on the fourth morning I summoned the woman who kept the house and attended on us, and told her that the rooms did not quite suit us, and we would not stay out our week. She said, dryly, 'I know why: you have stayed longer than any other lodger. Few ever stayed a second night; none before you a third. But I take it they have been very kind to you.'

"'They—who?' I asked, affecting to smile.

"'Why, they who haunt the house, whoever they are. I don't mind them; I remember them many years ago, when I lived in this house, not as a servant; but I know they will be the death of me some day. I don't care—I'm old, and must die soon anyhow; and then I shall be with them, and in this house still.' The woman spoke with so dreary a calmness, that really it was a sort of awe that prevented my conversing with her further. I paid for my week, and too happy were my wife and I to get off so cheaply."

"You excite my curiosity," said I; "nothing I should like better than to sleep in a haunted house. Pray give me the address of the one which you left so ignominiously."

My friend gave me the address; and when we parted, I walked straight towards the house thus indicated.

It is situated on the North side of Oxford Street (in a dull but respectable thoroughfare). I found the house shut up—no bill at the window, and no response to my knock. As I was turning away, a beer-boy, collecting pewter pots at the neighboring areas, said to me, "Do you want any one at that house, sir?"

"Yes, I heard it was to be let."

"Let!—why, the woman who kept it is dead—has been dead these three weeks, and no one can be found to stay there, though Mr. J—— offered ever so much. He offered mother, who chars for him, £1 a week just to open and shut the windows, and she would not."

"Would not!—and why?"

"The house is haunted: and the old woman who kept it [Pg 33]was found dead in her bed, with her eyes wide open. They say the devil strangled her."

"Pooh!—you speak of Mr. J——. Is he the owner of the house?"

"Yes."

"Where does he live?"

"In G—— Street, No. —."

"What is he?—in any business?"

"No, sir—nothing particular; a single gentleman."

I gave the pot-boy the gratuity earned by his liberal information, and proceeded to Mr. J——, in G—— Street, which was close by the street that boasted the haunted house. I was lucky enough to find Mr. J—— at home—an elderly man, with intelligent countenance and prepossessing manners.

I communicated my name and my business frankly. I said I heard the house was considered to be haunted—that I had a strong desire to examine a house with so equivocal a reputation—that I should be greatly obliged if he would allow me to hire it, though only for a night. I was willing to pay for that privilege whatever he might be inclined to ask. "Sir," said Mr. J——, with great courtesy, "the house is at your service, for as short or as long a time as you please. Rent is out of the question—the obligation will be on my side should you be able to discover the cause of the strange phenomena which at present deprive it of all value. I cannot let it, for I cannot even get a servant to keep it in order or answer the door. Unluckily the house is haunted, if I may use that expression, not only by night, but by day; though at night the disturbances are of a more unpleasant and sometimes of a more alarming character. The poor old woman who died in it three weeks ago was a pauper whom I took out of a workhouse, for in her childhood she had been known to some of my family, and had once been in such good circumstances that she had rented that house of my uncle. She was a woman of superior education and strong mind, and was the only person I could ever induce to remain in the house. Indeed, since her death, which was sudden, and the coroner's inquest, which gave it a notoriety in the neighborhood, I have so [Pg 34]despaired of finding any person to take charge of the house, much more a tenant, that I would willingly let it rent-free for a year to any one who would pay its rates and taxes."

"How long is it since the house acquired this sinister character?"

"That I can scarcely tell you, but very many years since. The old woman I spoke of said it was haunted when she rented it between thirty and forty years ago. The fact is, that my life has been spent in the East Indies, and in the civil service of the Company. I returned to England last year, on inheriting the fortune of an uncle, among whose possessions was the house in question. I found it shut up and uninhabited. I was told that it was haunted, that no one would inhabit it. I smiled at what seemed to me so idle a story. I spent some money in repairing it—added to its old-fashioned furniture a few modern articles—advertised it, and obtained a lodger for a year. He was a colonel retired on half-pay. He came in with his family, a son and a daughter, and four or five servants: they all left the house the next day; and, although each of them declared that he had seen something different from that which had scared the others, a something still was equally terrible to all. I really could not in conscience sue, nor even blame, the colonel for breach of agreement. Then I put in the old woman I have spoken of, and she was empowered to let the house in apartments. I never had one lodger who stayed more than three days. I do not tell you their stories—to no two lodgers have there been exactly the same phenomena repeated. It is better that you should judge for yourself, than enter the house with an imagination influenced by previous narratives; only be prepared to see and to hear something or other, and take whatever precautions you yourself please."

"Have you never had a curiosity yourself to pass a night in that house?"

"Yes. I passed not a night, but three hours in broad daylight alone in that house. My curiosity is not satisfied but it is quenched. I have no desire to renew the experiment. You cannot complain, you see, sir, that I am not sufficiently candid; and unless your interest be exceedingly eager [Pg 35]and your nerves unusually strong, I honestly add, that I advise you not to pass a night in that house."

"My interest is exceedingly keen," said I, "and though only a coward will boast of his nerves in situations wholly unfamiliar to him, yet my nerves have been seasoned in such variety of danger that I have the right to rely on them—even in a haunted house."

Mr. J—— said very little more; he took the keys of the house out of his bureau, gave them to me—and, thanking him cordially for his frankness, and his urbane concession to my wish, I carried off my prize.

Impatient for the experiment, as soon as I reached home, I summoned my confidential servant—a young man of gay spirits, fearless temper, and as free from superstitious prejudices as any one I could think of.

"F——," said I, "you remember in Germany how disappointed we were at not finding a ghost in that old castle, which was said to be haunted by a headless apparition? Well, I have heard of a house in London which, I have reason to hope, is decidedly haunted. I mean to sleep there to-night. From what I hear, there is no doubt that something will allow itself to be seen or to be heard—something, perhaps, excessively horrible. Do you think if I take you with me, I may rely on your presence of mind, whatever may happen?"

"Oh, sir! pray trust me," answered F——, grinning with delight.

"Very well; then here are the keys of the house—this is the address. Go now—select for me any bedroom you please; and since the house has not been inhabited for weeks, make up a good fire—air the bed well—see, of course, that there are candles as well as fuel. Take with you my revolver and my dagger—so much for my weapons—arm yourself equally well; and if we are not a match for a dozen ghosts, we shall be but a sorry couple of Englishmen."

I was engaged for the rest of the day on business so urgent that I had not leisure to think much on the nocturnal adventure to which I had plighted my honor. I dined alone, and very late, and while dining, read, as is my habit. I [Pg 36]selected one of the volumes of Macaulay's Essays. I thought to myself that I would take the book with me; there was so much of the healthfulness in the style, and practical life in the subjects, that it would serve as an antidote against the influence of superstitious fancy.

Accordingly, about half-past nine, I put the book into my pocket, and strolled leisurely towards the haunted house. I took with me a favorite dog—an exceedingly sharp, bold and vigilant bull-terrier—a dog fond of prowling about strange ghostly corners and passages at night in search of rats—a dog of dogs for a ghost.

It was a summer night, but chilly, the sky somewhat gloomy and overcast. Still there was a moon—faint and sickly, but still a moon—and if the clouds permitted, after midnight it would be brighter.

I reached the house, knocked, and my servant opened with a cheerful smile.

"All right, sir, and very comfortable."

"Oh!" said I, rather disappointed; "have you not seen nor heard anything remarkable?"

"Well, sir, I must own I have heard something queer."

"What?—what?"

"The sound of feet pattering behind me; and once or twice small noises like whispers close at my ear—nothing more."

"You are not at all frightened?"

"I! not a bit of it, sir," and the man's bold look reassured me on one point—viz., that happen what might, he would not desert me.

We were in the hall, the street-door closed, and my attention was now drawn to my dog. He had at first run in eagerly enough, but had sneaked back to the door, and was scratching and whining to get out. After patting him on the head, and encouraging him gently, the dog seemed to reconcile himself to the situation, and followed me and F—— through the house, but keeping close at my heels instead of hurrying inquisitively in advance, which was his usual and normal habit in all strange places. We first visited the subterranean apartments, the kitchen and other offices, and especially the cellars, in which last there were [Pg 37]two or three bottles of wine still left in a bin, covered with cobwebs, and evidently, by their appearance, undisturbed for many years. It was clear that the ghosts were not wine-bibbers. For the rest we discovered nothing of interest. There was a gloomy little backyard with very high walls. The stones of this yard were very damp; and what with the damp, and what with the dust and smoke-grime on the pavement, our feet left a slight impression where we passed.

And now appeared the first strange phenomenon witnessed by myself in this strange abode. I saw, just before me, the print of a foot suddenly form itself, as it were. I stopped, caught hold of my servant, and pointed to it. In advance of that footprint as suddenly dropped another. We both saw it. I advanced quickly to the place; the footprint kept advancing before me, a small footprint—the foot of a child; the impression was too faint thoroughly to distinguish the shape, but it seemed to us both that it was the print of a naked foot. This phenomenon ceased when we arrived at the opposite wall, nor did it repeat itself on returning. We remounted the stairs, and entered the rooms on the ground floor, a dining-parlor, a small back parlor, and a still smaller third room that had been probably appropriated to a footman—all still as death. We then visited the drawing-rooms, which seemed fresh and new. In the front room I seated myself in an armchair. F—— placed on the table the candlestick with which he had lighted us. I told him to shut the door. As he turned to do so, a chair opposite to me moved from the wall quickly and noiselessly, and dropped itself about a yard from my own chair, immediately fronting it.

"Why, this is better than the turning tables," said I, with a half-laugh; and as I laughed, my dog put back his head and howled.

F——, coming back, had not observed the movement of the chair. He employed himself now in stilling the dog. I continued to gaze on the chair, and fancied I saw on it a pale blue misty outline of a human figure, but an outline so indistinct that I could only distrust my own vision. The dog now was quiet.[Pg 38]

"Put back that chair opposite me," said I to F——; "put it back to the wall."

F—— obeyed. "Was that you, sir?" said he, turning abruptly.

"I!—what?"

"Why, something struck me. I felt it sharply on the shoulder—just here."

"No," said I. "But we have jugglers present, and though we may not discover their tricks, we shall catch them before they frighten us."

We did not stay long in the drawing-rooms—in fact, they felt so damp and so chilly that I was glad to get to the fire upstairs. We locked the doors of the drawing-rooms—a precaution which, I should observe, we had taken with all the rooms we had searched below. The bedroom my servant had selected for me was the best on the floor—a large one, with two windows fronting the street. The four-posted bed, which took up no inconsiderable space, was opposite to the fire, which burnt clear and bright; a door in the wall to the left, between the bed and the window, communicated with the room which my servant appropriated to himself. This last was a small room with a sofa-bed, and had no communication with the landing-place—no other door but that which conducted to the bedroom I was to occupy. On either side of my fireplace was a cupboard, without locks, flush with the wall and covered with the same dull-brown paper. We examined these cupboards—only hooks to suspend female dresses—nothing else; we sounded the walls—evidently solid—the outer walls of the building. Having finished the survey of these apartments, warmed myself a few moments, and lighted my cigar, I then, still accompanied by F——, went forth to complete my reconnoiter. In the landing-place there was another door; it was closed firmly. "Sir," said my servant, in surprise, "I unlocked this door with all the others when I first came; it cannot have got locked from the inside, for——"

Before he had finished his sentence, the door, which neither of us then was touching, opened quietly of itself. We looked at each other a single instant. The same thought seized both—some human agency might be detected here. I [Pg 39]rushed in first, my servant followed. A small blank dreary room without furniture—few empty boxes and hampers in a corner—a small window—the shutters closed—not even a fireplace—no other door than that by which we had entered—no carpet on the floor, and the floor seemed very old, uneven, worm-eaten, mended here and there, as was shown by the whiter patches on the wood; but no living being, and no visible place in which a living being could have hidden. As we stood gazing round, the door by which we had entered closed as quietly as it had before opened: we were imprisoned.

For the first time I felt a creep of undefinable horror. Not so my servant. "Why, they don't think to trap us, sir; I could break the trumpery door with a kick of my foot."

"Try first if it will open to your hand," said I, shaking off the vague apprehension that had seized me, "while I unclose the shutters and see what is without."

I unbarred the shutters—the window looked on the little back yard I have before described; there was no ledge without—nothing to break the sheer descent of the wall. No man getting out of that window would have found any footing till he had fallen on the stones below.

F——, meanwhile, was vainly attempting to open the door. He now turned round to me and asked my permission to use force. And I should here state, in justice to the servant, that, far from evincing any superstitious terrors, his nerve, composure, and even gayety amidst circumstances so extraordinary, compelled my admiration, and made me congratulate myself on having secured a companion in every way fitted to the occasion. I willingly gave him the permission he required. But though he was a remarkably strong man, his force was as idle as his milder efforts; the door did not even shake to his stoutest kick. Breathless and panting, he desisted. I then tried the door myself, equally in vain. As I ceased from the effort, again that creep of horror came over me; but this time it was more cold and stubborn. I felt as if some strange and ghastly exhalation were rising up from the chinks of that rugged floor, and filling the atmosphere with a venomous influence hostile to human life. The door now very slowly [Pg 40]and quietly opened as of its own accord. We precipitated ourselves into the landing-place. We both saw a large pale light—as large as the human figure but shapeless and unsubstantial—move before us, and ascend the stairs that led from the landing into the attics. I followed the light, and my servant followed me. It entered, to the right of the landing, a small garret, of which the door stood open. I entered in the same instant. The light then collapsed into a small globule, exceedingly brilliant and vivid; rested a moment on a bed in the corner, quivered, and vanished.

We approached the bed and examined it—a half-tester, such as is commonly found in attics devoted to servants. On the drawers that stood near it we perceived an old faded silk kerchief, with the needle still left in a rent half repaired. The kerchief was covered with dust; probably it had belonged to the old woman who had last died in that house, and this might have been her sleeping room. I had sufficient curiosity to open the drawers: there were a few odds and ends of female dress, and two letters tied round with a narrow ribbon of faded yellow. I took the liberty to possess myself of the letters. We found nothing else in the room worth noticing—nor did the light reappear; but we distinctly heard, as we turned to go, a pattering footfall on the floor—just before us. We went through the other attics (in all four), the footfall still preceding us. Nothing to be seen—nothing but the footfall heard. I had the letters in my hand: just as I was descending the stairs I distinctly felt my wrist seized, and a faint soft effort made to draw the letters from my clasp. I only held them the more tightly, and the effort ceased.

We regained the bedchamber appropriated to myself, and I then remarked that my dog had not followed us when we had left it. He was thrusting himself close to the fire, and trembling. I was impatient to examine the letters; and while I read them, my servant opened a little box in which he had deposited the weapons I had ordered him to bring; took them out, placed them on a table close at my bed-head, and then occupied himself in soothing the dog, who, however, seemed to heed him very little.

The letters were short—they were dated; the dates ex[Pg 41]actly thirty-five years ago. They were evidently from a lover to his mistress, or a husband to some young wife. Not only the terms of expression, but a distinct reference to a former voyage, indicated the writer to have been a seafarer. The spelling and handwriting were those of a man imperfectly educated, but still the language itself was forcible. In the expressions of endearment there was a kind of rough wild love; but here and there were dark and unintelligible hints at some secret not of love—some secret that seemed of crime. "We ought to love each other," was one of the sentences I remember, "for how every one else would execrate us if all was known." Again: "Don't let any one be in the same room with you at night—you talk in your sleep." And again: "What's done can't be undone; and I tell you there's nothing against us unless the dead could come to life." Here there was underlined in a better handwriting (a female's), "They do!" At the end of the letter latest in date the same female hand had written these words: "Lost at sea the 4th of June, the same day as ——."

I put down the letters, and began to muse over their contents.

Fearing, however, that the train of thought into which I fell might unsteady my nerves, I fully determined to keep my mind in a fit state to cope with whatever of marvelous the advancing night might bring forth. I roused myself—laid the letters on the table—stirred up the fire, which was still bright and cheering—and opened my volume of Macaulay. I read quietly enough till about half-past eleven. I then threw myself dressed upon the bed, and told my servant he might retire to his own room, but must keep himself awake. I bade him leave open the door between the two rooms. Thus alone, I kept two candles burning on the table by my bed-head. I placed my watch beside the weapons, and calmly resumed my Macaulay. Opposite to me the fire burned clear; and on the hearthrug, seemingly asleep, lay the dog. In about twenty minutes I felt an exceedingly cold air pass by my cheek, like a sudden draught. I fancied the door to my right, communicating with the landing-place, must have got open; but no—it was closed. I then turned my glance to my left, and saw the flame of the [Pg 42]candles violently swayed as by a wind. At the same moment the watch beside the revolver softly slid from the table—softly, softly—no visible hand—it was gone. I sprang up, seizing the revolver with the one hand, the dagger with other: I was not willing that my weapons should share the fate of the watch. Thus armed, I looked round the floor—no sign of the watch. Three slow, loud, distinct knocks were now heard at the bed-head; my servant called out, "Is that you, sir?"

"No; be on your guard."

The dog now roused himself and sat on his haunches, his ears moving quickly backwards and forwards. He kept his eyes fixed on me with a look so strange that he concentered all my attention on himself. Slowly he rose up, all his hair bristling, and stood perfectly rigid, and with the same wild stare. I had no time, however, to examine the dog. Presently my servant emerged from his room; and if ever I saw horror in the human face, it was then. I should not have recognized him had we met in the street, so altered was every lineament. He passed by me quickly, saying in a whisper that seemed scarcely to come from his lips, "Run—run! it is after me!" He gained the door to the landing, pulled it open, and rushed forth. I followed him into the landing involuntarily, calling him to stop; but, without heeding me, he bounded down the stairs, clinging to the balusters, and taking several steps at a time. I heard, where I stood, the street-door open—heard it again clap to. I was left alone in the haunted house.

It was but for a moment that I remained undecided whether or not to follow my servant; pride and curiosity alike forbade so dastardly a flight. I re-entered my room, closing the door after me, and proceeded cautiously into the interior chamber. I encountered nothing to justify my servant's terror. I again carefully examined the walls, to see if there were any concealed door. I could find no trace of one—not even a seam in the dull-brown paper with which the room was hung. How, then, had the Thing, whatever it was, which had so scared him, obtained ingress except through my own chamber?

I returned to my room, shut and locked the door that [Pg 43]opened upon the interior one, and stood on the hearth, expectant and prepared. I now perceived that the dog had slunk into an angle of the wall, and was pressing himself close against it, as if literally striving to force his way into it. I approached the animal and spoke to it; the poor brute was evidently beside itself with terror. It showed all its teeth, the slaver dropping from its jaws, and would certainly have bitten me if I had touched it. It did not seem to recognize me. Whoever has seen at the Zoological Gardens a rabbit fascinated by a serpent, cowering in a corner, may form some idea of the anguish which the dog exhibited. Finding all efforts to soothe the animal in vain, and fearing that his bite might be as venomous in that state as in the madness of hydrophobia, I left him alone, placed my weapons on the table beside the fire, seated myself, and recommenced my Macaulay.

Perhaps, in order not to appear seeking credit for a courage, or rather a coolness, which the reader may conceive I exaggerate, I may be pardoned if I pause to indulge in one or two egotistical remarks.

As I hold presence of mind, or what is called courage, to be precisely proportioned to familiarity with the circumstances that lead to it, so I should say that I had been long sufficiently familiar with all experiments that appertain to the Marvelous. I had witnessed many very extraordinary phenomena in various parts of the world—phenomena that would be either totally disbelieved if I stated them, or ascribed to supernatural agencies. Now, my theory is that the Supernatural is the Impossible, and that what is called supernatural is only a something in the laws of nature of which we have been hitherto ignorant. Therefore, if a ghost rise before me, I have not the right to say, "So, then, the supernatural is possible," but rather, "So, then, the apparition of a ghost is, contrary to received opinion, within the laws of nature—i.e., not supernatural."

Now, in all that I had hitherto witnessed, and indeed in all the wonders which the amateurs of mystery in our age record as facts, a material living agency is always required. On the continent you will find still magicians who assert that they can raise spirits. Assume for the moment that [Pg 44]they assert truly, still the living material form of the magician is present; and he is the material agency by which, from some constitutional peculiarities, certain strange phenomena are represented to your natural senses.

Accept, again, as truthful, the tales of spirit Manifestation in America—musical or other sounds—writings on paper, produced by no discernible hand—articles of furniture moved without apparent human agency—or the actual sight and touch of hands, to which no bodies seem to belong—still there must be found the Medium or living being, with constitutional peculiarities capable of obtaining these signs. In fine, in all such marvels, supposing even that there is no imposture, there must be a human being like ourselves by whom, or through whom, the effects presented to human beings are produced. It is so with the now familiar phenomena of mesmerism or electro-biology; the mind of the person operated on is affected through a material living agent. Nor, supposing it true that a mesmerized patient can respond to the will or passes of a mesmerizer a hundred miles distant, is the response less occasioned by a material fluid—call it Electric, call it Odic, call it what you will—which has the power of traversing space and passing obstacles, that the material effect is communicated from one to the other. Hence all that I had hitherto witnessed, or expected to witness, in this strange house, I believed to be occasioned through some agency or medium as mortal as myself: and this idea necessarily prevented the awe with which those who regard as supernatural, things that are not within the ordinary operations of nature, might have been impressed by the adventures of that memorable night.

As, then, it was my conjecture that all that was presented, or would be presented to my senses, must originate in some human being gifted by constitution with the power so to present them, and having some motive so to do, I felt an interest in my theory which, in its way, was rather philosophical than superstitious. And I can sincerely say that I was in as tranquil a temper for observation as any practical experimentalist could be in awaiting the effect of some rare, though perhaps perilous, chemical combination. Of [Pg 45]course, the more I kept my mind detached from fancy, the more the temper fitted for observation would be obtained; and I therefore riveted eye and thought on the strong daylight sense in the page of my Macaulay.

I now became aware that something interposed between the page and the light—the page was over-shadowed: I looked up, and I saw what I shall find it very difficult, perhaps impossible, to describe.

It was a Darkness shaping itself forth from the air in very undefined outline. I cannot say it was of a human form, and yet it had more resemblance to a human form, or rather shadow, than to anything else. As it stood, wholly apart and distinct from the air and the light around it, its dimensions seemed gigantic, the summit nearly touching the ceiling. While I gazed, a feeling of intense cold seized me. An iceberg before me could not more have chilled me; nor could the cold of an iceberg have been more purely physical. I feel convinced that it was not the cold caused by fear. As I continued to gaze, I thought—but this I cannot say with precision—that I distinguished two eyes looking down on me from the height. One moment I fancied that I distinguished them clearly, the next they seemed gone; but still two rays of a pale-blue light frequently shot through the darkness, as from the height on which I half believed, half doubted, that I had encountered the eyes.

I strove to speak—my voice utterly failed me; I could only think to myself, "is this fear? it is not fear!" I strove to rise—in vain; I felt as if weighed down by an irresistible force. Indeed, my impression was that of an immense and overwhelming Power opposed to any volition;—that sense of utter inadequacy to cope with a force beyond man's, which one may feel physically in a storm at sea, in a conflagration, or when confronting some terrible wild beast, or rather, perhaps, the shark of the ocean, I felt morally. Opposed to my will was another will, as far superior to its strength as storm, fire, and shark are superior in material force to the force of man.

And now, as this impression grew on me—now came, at last, horror—horror to a degree that no words can convey. Still I retained pride, if not courage; and in my own [Pg 46]mind I said, "This is horror, but it is not fear; unless I fear I cannot be harmed; my reason rejects this thing, it is an illusion—I do not fear." With a violent effort I succeeded at last in stretching out my hand towards the weapon on the table: as I did so, on the arm and shoulder I received a strange shock, and my arm fell to my side powerless. And now, to add to my horror, the light began slowly to wane from the candles, they were not, as it were, extinguished, but their flame seemed very gradually withdrawn: it was the same with the fire—the light was extracted from the fuel; in a few minutes the room was in utter darkness.

The dread that came over me, to be thus in the dark with that dark Thing, whose power was so intensely felt, brought a reaction of nerve. In fact, terror had reached that climax, that either my senses must have deserted me, or I must have burst through the spell. I did burst through it. I found voice, though the voice was a shriek. I remember that I broke forth with words like these—"I do not fear, my soul does not fear"; and at the same time I found the strength to rise. Still in that profound gloom I rushed to one of the windows—tore aside the curtain—flung open the shutters; my first thought was—light.—And when I saw the moon high, clear, and calm, I felt a joy that almost compensated for the previous terror. There was the moon, there was also the light from the gas-lamps in the deserted slumberous street. I turned to look back into the room; the moon penetrated its shadow very palely and partially—but still there was light. The dark Thing, whatever it might be, was gone—except that I could yet see a dim shadow, which seemed the shadow of that shade, against the opposite wall.

My eye now rested on the table, and from under the table (which was without cloth or cover—an old mahogany round table) there rose a hand, visible as far as the wrist. It was a hand, seemingly, as much of flesh and blood as my own, but the hand of an aged person—lean, wrinkled, small, too—a woman's hand. That hand very softly closed on the two letters that lay on the table: hand and letters both vanished.

There then came the same three loud measured [Pg 47]knocks I heard at the bed-head before this extraordinary drama had commenced.

As those sounds slowly ceased, I felt the whole room vibrate sensibly; and at the far end there rose, as from the floor, sparks or globules like bubbles of light, many-colored—green, yellow, fire-red, azure. Up and down, to and fro, hither, thither, as tiny Will-o'-the-Wisps the sparks moved, slow or swift, each at his own caprice. A chair (as in the drawing-room below) was now advanced from the wall without apparent agency, and placed at the opposite side of the table. Suddenly as forth from the chair, there grew a shape—a woman's shape. It was distinct as a shape of life—ghastly as a shape of death. The face was that of youth, with a strange mournful beauty: the throat and shoulders were bare, the rest of the form in a loose robe of cloudy white. It began sleeking its long yellow hair, which fell over its shoulders; its eyes were not turned towards me, but to the door; it seemed listening, watching, waiting. The shadow of the shade in the background grew darker; and again I thought I beheld the eyes gleaming out from the summit of the shadow—eyes fixed upon that shape.

As if from the door, though it did not open, there grew out another shape, equally distinct, equally ghastly—a man's shape—a young man's. It was in the dress of the last century, or rather in a likeness of such dress (for both the male shape and the female, though defined, were evidently unsubstantial, impalpable—simulacra—phantasms); and there was something incongruous, grotesque, yet fearful, in the contrast between the elaborate finery, the courtly precision of that old-fashioned garb, with its ruffles and lace and buckles, and the corpse-like aspect and ghost-like stillness of the flitting wearer. Just as the male shape approached the female, the dark shadow started from the wall, all three for a moment wrapped in darkness. When the pale light returned, the two phantoms were as in the grasp of the shadow that towered between them; and there was a blood-stain on the breast of the female; and the phantom male was leaning on its phantom sword, and blood seemed trickling fast from the ruffles, from the lace; and the darkness of the intermediate Shadow swallowed them up—they were [Pg 48]gone. And again the bubbles of light shot, and sailed, and undulated, growing thicker and thicker and more wildly confused in their movements.

The closet door to the right of the fireplace now opened, and from the aperture there came the form of an aged woman. In her hand she held letters,—the very letters over which I had seen the Hand close; and behind her I heard a footstep. She turned round as if to listen, and then she opened the letters and seemed to read; and over her shoulder I saw a livid face, the face as of a man long drowned—bloated, bleached, seaweed tangled in its dripping hair; and at her feet lay a form as of a corpse, and beside the corpse there cowered a child, a miserable squalid child, with famine in its cheeks and fear in its eyes. And as I looked in the old woman's face, the wrinkles and lines vanished and it became a face of youth—hard-eyed, stony, but still youth; and the Shadow darted forth, and darkened over these phantoms as it had darkened over the last.

Nothing now was left but the Shadow, and on that my eyes were intently fixed, till again eyes grew out of the Shadow—malignant, serpent eyes. And the bubbles of light again rose and fell, and in their disorder, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves, as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvæ so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water—things transparent, supple, agile, chasing each other, devouring each other—forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. Sometimes I felt myself touched, but not by them; invisible hands touched me. Once I felt the clutch as of cold soft fingers at my throat. I was still equally conscious that if I gave way to fear I should be in bodily peril; and I con[Pg 49]centrated all my faculties in the single focus of resisting, stubborn will. And I turned my sight from the Shadow—above all, from those strange serpent eyes—eyes that had now become distinctly visible. For there, though in nought else round me, I was aware that there was a WILL, and a will of intense, creative, working evil, which might crush down my own.

The pale atmosphere in the room began now to redden as if in the air of some near conflagration. The larvæ grew lurid as things that live in fire. Again the room vibrated; again were heard the three measured knocks; and again all things were swallowed up in the darkness of the dark Shadow, as if out of that darkness all had come, into that darkness all returned.

As the gloom receded, the Shadow was wholly gone. Slowly as it had been withdrawn, the flame grew again into the candles on the table, again into the fuel in the grate. The whole room came once more calmly, healthfully into sight.

The two doors were still closed, the door communicating with the servant's room still locked. In the corner of the wall into which he had so convulsively niched himself, lay the dog. I called to him—no movement; I approached—the animal was dead; his eyes protruded; his tongue out of his mouth; the froth gathered round his jaws. I took him in my arms; I brought him to the fire, I felt acute grief for the loss of my poor favorite—acute self-reproach; I accused myself of his death; I imagined he had died of fright. But what was my surprise on finding that his neck was actually broken. Had this been done in the dark?—must it not have been by a hand human as mine?—must there not have been a human agency all the while in that room? Good cause to suspect it. I cannot tell. I cannot do more than state the fact fairly; the reader may draw his own inference.

Another surprising circumstance—my watch was restored to the table from which it had been so mysteriously withdrawn; but it had stopped at the very moment it was so withdrawn; nor, despite all the skill of the watchmaker, has it ever gone since—that is, it will go in a strange erratic [Pg 50]way for a few hours, and then come to a dead stop—it is worthless.

Nothing more chanced for the rest of the night. Nor, indeed, had I long to wait before the dawn broke. Nor till it was broad daylight did I quit the haunted house. Before I did so, I revisited the little blind room in which my servant and myself had been for a time imprisoned. I had a strong impression—for which I could not account—that from that room had originated the mechanism of the phenomena—if I may use the term—which had been experienced in my chamber. And though I entered it now in the clear day, with the sun peering through the filmy window I still felt, as I stood on its floor, the creep of the horror which I had first there experienced the night before, and which had been so aggravated by what had passed in my own chamber. I could not, indeed, bear to stay more than half a minute within those walls. I descended the stairs, and again I heard the footfall before me; and when I opened the street door, I thought I could distinguish a very low laugh. I gained my own home, expecting to find my runaway servant there. But he had not presented himself; nor did I hear more of him for three days, when I received a letter from him, dated from Liverpool to this effect:—

"Honored Sir,—I humbly entreat your pardon, though I can scarcely hope that you will think I deserve it, unless—which Heaven forbid—you saw what I did. I feel that it will be years before I can recover myself: and as to being fit for service, it is out of the question. I am therefore going to my brother-in-law at Melbourne. The ship sails to-morrow. Perhaps the long voyage may set me up. I do nothing now but start and tremble, and fancy it is behind me. I humbly beg you, honored sir, to order my clothes, and whatever wages are due to me, to be sent to my mother's, at Walworth.—John knows her address."

The letter ended with additional apologies, somewhat incoherent, and explanatory details as to effects that had been under the writer's charge.

This flight may perhaps warrant a suspicion that the man wished to go to Australia, and had been somehow or other fraudulently mixed up with the events of the night. I say [Pg 51]nothing in refutation of that conjecture; rather, I suggest it as one that would seem to many persons the most probable solution of improbable occurrences. My belief in my own theory remained unshaken. I returned in the evening to the house, to bring away in a hack cab the things I had left there, with my poor dog's body. In this task I was not disturbed, nor did any incident worth note befall me, except that still, on ascending and descending the stairs, I heard the same footfall in advance. On leaving the house, I went to Mr. J.'s. He was at home. I returned him the keys, told him that my curiosity was sufficiently gratified, and was about to relate quickly what had passed, when he stopped me, and said, though with much politeness, that he had no longer any interest in a mystery which none had ever solved.

I determined at least to tell him of the two letters I had read, as well as of the extraordinary manner in which they had disappeared, and I then inquired if he thought they had been addressed to the woman who had died in the house, and if there were anything in her early history which could possibly confirm the dark suspicions to which the letters gave rise. Mr. J—— seemed startled, and, after musing a few moments, answered, "I am but little acquainted with the woman's earlier history, except, as I before told you, that her family were known to mine. But you revive some vague reminiscences to her prejudice. I will make inquiries, and inform you of their result. Still, even if we could admit the popular superstition that a person who had been either the perpetrator or the victim of dark crimes in life could revisit, as a restless spirit, the scene in which those crimes had been committed, I should observe that the house was infested by strange sights and sounds before the old woman died—you smile—what would you say?"

"I would say this, that I am convinced, if we could get to the bottom of these mysteries, we should find a living human agency."

"What! you believe it is all an imposture? for what object?"

"Not an imposture in the ordinary sense of the word. If [Pg 52]suddenly I were to sink into a deep sleep, from which you could not awake me, but in that sleep could answer questions with an accuracy which I could not pretend to when awake—tell you what money you had in your pocket—nay, describe your very thoughts—it is not necessarily an imposture, any more than it is necessarily supernatural. I should be, unconsciously to myself, under a mesmeric influence, conveyed to me from a distance by a human being who had acquired power over me by previous rapport."

"But if a mesmerizer could so affect another living being, can you suppose that a mesmerizer could also affect inanimate objects: move chairs—open and shut doors?"

"Or impress our senses with the belief in such effects—we never having been en rapport with the person acting on us? No. What is commonly called mesmerism could not do this; but there may be a power akin to mesmerism, and superior to it—the power that in the old days was called Magic. That such a power may extend to all inanimate objects of matter I do not say; but if so, it would not be against nature—it would be only a rare power in nature which might be given to constitutions with certain peculiarities, and cultivated by practice to an extraordinary degree. That such a power might extend over the dead—that is, over certain thoughts and memories that the dead may still retain—and compel, not that which ought properly to be called the Soul, and which is far beyond human reach, but rather a phantom of what has been most earth-stained on earth, to make itself apparent to our senses—is a very ancient though obsolete theory, upon which I will hazard no opinion. But I do not conceive the power would be supernatural. Let me illustrate what I mean from an experiment which Paracelsus describes as not difficult, and which the author of theCuriosities of Literature cites as credible:—A flower perishes; you burn it. Whatever were the elements of that flower while it lived are gone, dispersed, you know not whither; you can never discover nor recollect them. But you can, by chemistry, out of the burnt dust of that flower, raise a spectrum of the flower, just as it seemed in life. It may be the same with the human being. The soul has as much escaped you as the essence or ele[Pg 53]ments of the flower. Still you may make a spectrum of it.

"And this phantom, though in the popular superstition it is held to be the soul of the departed, must not be confounded with the true soul; it is but eidolon of the dead form. Hence, like the best attested stories of ghosts or spirits, the thing that most strikes us is the absence of what we hold to be soul; that is, of superior emancipated intelligence. These apparitions come for little or no object—they seldom speak when they do come; if they speak, they utter no ideas above those of an ordinary person on earth. American spirit-seers have published volumes of communications in prose and verse, which they assert to be given in the names of the most illustrious dead—Shakespeare, Bacon—heaven knows whom. Those communications, taking the best, are certainly not a whit of higher order than would be communications from living persons of fair talent and education; they are wondrously inferior to what Bacon, Shakespeare, and Plato said and wrote when on earth. Nor, what is more noticeable, do they ever contain an idea that was not on the earth before. Wonderful, therefore, as such phenomena may be (granting them to be truthful), I see much that philosophy may question, nothing that it is incumbent on philosophy to deny, viz., nothing supernatural. They are but ideas conveyed somehow or other (we have not yet discovered the means) from one mortal brain to another. Whether, in so doing, tables walk of their own accord, or fiend-like shapes appear in a magic circle, or bodyless hands rise and remove material objects, or a Thing of Darkness, such as presented itself to me, freeze our blood—still am I persuaded that these are but agencies conveyed, as if by electric wires, to my own brain from the brain of another. In some constitutions there is a natural chemistry, and these constitutions may produce chemic wonders—in others a natural fluid, call it electricity, and these may produce electric wonders.

"But the wonders differ from Normal Science in this—they are alike objectless, purposeless, puerile, frivolous. They lead on to no grand results; and therefore the world does not heed, and true sages have not cultivated them. But sure I am, that of all I saw or heard, a man, hu[Pg 54]man as myself, was the remote originator; and I believe unconsciously to himself as to the exact effects produced, for this reason: no two persons, you say, have ever told you that they experienced exactly the same thing. Well, observe, no two persons ever experience exactly the same dream. If this were an ordinary imposture, the machinery would be arranged for results that would but little vary; if it were a supernatural agency permitted by the Almighty, it would surely be for some definite end. These phenomena belong to neither class; my persuasion is, that they originate in some brain now far distant; that that brain had no distinct volition in anything that occurred; that what does occur reflects but its devious, motley, ever-shifting, half-formed thoughts; in short, that it has been but the dreams of such a brain put into action and invested with a semi-substance. That this brain is of immense power, that it can set matter into movement, that it is malignant and destructive, I believe; some material force must have killed my dog; the same force might, for aught I know, have sufficed to kill myself, had I been as subjugated by terror as the dog—had my intellect or my spirit given me no countervailing resistance in my will."

"It killed your dog! that is fearful! indeed it is strange that no animal can be induced to stay in that house; not even a cat. Rats and mice are never found in it."

"The instincts of the brute creation detect influences deadly to their existence. Man's reason has a sense less subtle, because it has a resisting power more supreme. But enough; do you comprehend my theory?"

"Yes, though imperfectly—and I accept any crotchet (pardon the word), however odd, rather than embrace at once the notion of ghosts and hob-goblins we imbibed in our nurseries. Still, to my unfortunate house the evil is the same. What on earth can I do with the house?"

"I will tell you what I would do. I am convinced from my own internal feelings that the small unfurnished room at right angles to the door of the bedroom which I occupied, forms a starting-point or receptacle for the influences which haunt the house; and I strongly advise you to have the walls opened, the floor removed—nay, the whole room [Pg 55]pulled down. I observe that it is detached from the body of the house, built over the small back-yard, and could be removed without injury to the rest of the building."

"And you think, if I did that——"

"You would cut off the telegraph wires. Try it. I am so persuaded that I am right, that I will pay half the expense if you will allow me to direct the operations."

"Nay, I am well able to afford the cost; for the rest, allow me to write to you."

About ten days afterwards I received a letter from Mr. J——, telling me that he had visited the house since I had seen him; that he had found the two letters I had described replaced in the drawer from which I had taken them; that he had read them with misgivings like my own; that he had instituted a cautious inquiry about the woman to whom I rightly conjectured they had been written. It seemed that thirty-six years ago (a year before the date of the letters) she had married, against the wish of her relations, an American of very suspicious character, in fact, he was generally believed to have been a pirate. She herself was the daughter of very respectable tradespeople, and had served in the capacity of nursery governess before her marriage. She had a brother, a widower, who was considered wealthy, and who had one child of about six years old. A month after the marriage, the body of this brother was found in the Thames, near London Bridge; there seemed some marks of violence about his throat, but they were not deemed sufficient to warrant the inquest in any other verdict than that of "found drowned."

The American and his wife took charge of the little boy, the deceased brother having by his will left his sister the guardian of his only child—and in the event of the child's death, the sister inherited. The child died about six months afterwards—it was supposed to have been neglected and ill-treated. The neighbors deposed to have heard it shriek at night. The surgeon who had examined it after death said that it was emaciated as if from want of nourishment, and the body was covered with livid bruises. It seemed that one winter night the child had sought to escape—crept out into the back-yard—tried to [Pg 56]scale the wall—fallen back exhausted, and been found at morning on the stones in a dying state. But though there was some evidence of cruelty, there was none of murder; and the aunt and her husband had sought to palliate cruelty by alleging the exceeding stubbornness and perversity of the child, who was declared to be half-witted. Be that is it may, at the orphan's death the aunt inherited her brother's fortune. Before the first wedded year was out the American quitted England abruptly, and never returned to it. He obtained a cruising vessel, which was lost in the Atlantic two years afterwards. The widow was left in affluence; but reverses of various kinds had befallen her; a bank broke—an investment failed—she went into a small business and became insolvent—then she entered into service, sinking lower and lower, from housekeeper down to maid-of-all work—never long retaining a place, though nothing decided against her character was ever alleged. She was considered sober, honest, and peculiarly quiet in her ways; still nothing prospered with her. And so she had dropped into the workhouse, from which Mr. J—— had taken her, to be placed in charge of the very house which she had rented as mistress in the first year of her wedded life.

Mr. J—— added that he had passed an hour alone in the unfurnished room which I had urged him to destroy, and that his impressions of dread while there were so great, though he had neither heard nor seen anything, that he was eager to have the walls bared and the floors removed as I had suggested. He had engaged persons for the work, and would commence any day I would name.

The day was accordingly fixed. I repaired to the haunted house—he went into the blind dreary room, took up the skirting, and then the floors. Under the rafters, covered with rubbish, was found a trap-door, quite large enough to admit a man. It was closely nailed down, with clamps and rivets of iron. On removing these we descended into a room below, the existence of which had never been suspected. In this room there had been a window and a flue, but they had been bricked over, evidently for many years. By the help of candles we examined this place; it still re[Pg 57]tained some mouldering furniture—three chairs, an oak settle, a table—all of the fashion of about eighty years ago. There was a chest of drawers against the wall, in which we found, half-rotted away, old-fashioned articles of a man's dress, such as might have been worn eighty or a hundred years ago by a gentleman of some rank—costly steel buckles and buttons, like those yet worn in court-dresses, a handsome court sword—in a waistcoat which had once been rich with gold-lace, but which was now blackened and foul with damp, we found five guineas, a few silver coins, and an ivory ticket, probably for some place of entertainment long since passed away. But our main discovery was in a kind of iron safe fixed to the wall, the lock of which it cost us much trouble to get picked.

In this safe were three shelves, and two small drawers. Ranged on the shelves were several small bottles of crystal, hermetically stopped. They contained colorless volatile essences, of the nature of which I shall only say that they were not poisons—phosphor and ammonia entered into some of them. There were also some very curious glass tubes, and a small pointed rod of iron, with a large lump of rock-crystal, and another of amber—also a loadstone of great power.

In one of the drawers we found a miniature portrait set in gold, and retaining the freshness of its colors most remarkably, considering the length of time it had probably been there. The portrait was that of a man who might be somewhat advanced in middle life, perhaps forty-seven or forty-eight.

It was a remarkable face—a most impressive face. If you could fancy some mighty serpent transformed into a man, preserving in the human lineaments the old serpent type, you would have a better idea of that countenance than long descriptions can convey: the width and flatness of frontal—the tapering elegance of contour disguising the strength of the deadly jaw—the long, large, terrible eye, glittering and green as the emerald—and withal a certain ruthless calm, as if from the consciousness of an immense power.

Mechanically I turned round the miniature to examine [Pg 58]the back of it, and on the back was engraved a pentacle; in the middle of the pentacle a ladder, and the third step of the ladder was formed by the date 1765. Examining still more minutely, I detected a spring; this, on being pressed, opened the back of the miniature as a lid. Withinside the lid were engraved, "Marianna to thee—be faithful in life and in death to——." Here follows a name that I will not mention, but it was not unfamiliar to me. I had heard it spoken of by old men in my childhood as the name borne by a dazzling charlatan who had made a great sensation in London for a year or so, and had fled the country on the charge of a double murder within his own house—that of his mistress and his rival. I said nothing of this to Mr. J——, to whom reluctantly I resigned the miniature.

We had found no difficulty in opening the first drawer within the iron safe; we found great difficulty in opening the second: it was not locked, but it resisted all efforts, till we inserted in the clinks the edge of a chisel. When we had thus drawn it forth we found a very singular apparatus in the nicest order. Upon a small thin book, or rather tablet, was placed a saucer of crystal: this saucer was filled with a clear liquid—on that liquid floated a kind of compass, with a needle shifting rapidly round; but instead of the usual points of a compass were seven strange characters, not very unlike those used by astrologers to denote the planets.

A peculiar, but not strong nor displeasing odor came from this drawer, which was lined with a wood that we afterwards discovered to be hazel. Whatever the cause of this odor, it produced a material effect on the nerves. We all felt it, even the two workmen who were in the room—a creeping tingling sensation from the tips of the fingers to the roots of the hair. Impatient to examine the tablet, I removed the saucer. As I did so the needle of the compass went round and round with exceeding swiftness, and I felt a shock that ran through my whole frame, so that I dropped the saucer on the floor. The liquid was spilt—the saucer was broken—the compass rolled to the end of the room—and at that instant the walls shook to and fro, as if a giant had swayed and rocked them.[Pg 59]

The two workmen were so frightened that they ran up the ladder by which we had descended from the trap-door; but seeing that nothing more happened, they were easily induced to return.

Meanwhile I had opened the tablet: it was bound in plain red leather, with a silver clasp; it contained but one sheet of thick vellum, and on that sheet were inscribed within a double pentacle, words in old monkish Latin, which are literally to be translated thus: "On all that it can reach within these walls—sentient or inanimate, living or dead—as moves the needle, so work my will! Accursed be the house, and restless be the dwellers therein."

We found no more. Mr. J—— burnt the tablet and its anathema. He razed to the foundations the part of the building containing the secret room with the chamber over it. He had then the courage to inhabit the house himself for a month, and a quieter, better-conditioned house could not be found in all London. Subsequently he let it to advantage, and his tenant has made no complaints.

May 14, 2018, 12:13 p.m. 1 Report Embed 0
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Yorkman Pattreisk Yorkman Pattreisk
hay forma de que lo puedas publicar en español?. Saludos
May 14, 2018, 7:16 a.m.
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